Crime drama about a postal employee for the railways who is falsely accused of theft after a robbery on a train. His wife finds out who the real culprit is.
A melodrama in which a woman who is the president of a charitable organization takes care of an unwed mother. This becomes a tragedy when it turns out that her own fiancé is the child’s father.
A short Western about a bandit who saves the daughter of the sheriff.
A short comedy in which the newest employee is teased by the office girls, but he retaliates by putting black polish in a powder-box. Ultimately the girls use the resulting black powder on the young e...
Silent melodrama about a Christian girl who is wrongly accused of witchcraft by Puritans. An adventurer manages to rescue her from the pyre with the help of Indians he has befriended.
Reportage about of the ceremony in Rotterdam to honour the pilots who made the first flight from the Netherlands to the Dutch East Indies.
A short comic film about a woman who cannot get the hang of her work in a cardboard factory.
A short maritime drama in which a ship-owner forces an old captain to cede control of his ship to a younger man. But when a storm breaks out, that younger man turns out to be in the ship’s hold, dru...
"Love and 50 Megatons" (2019)
Ken Duken
"Above and Below" (2012-14)
Szene aus "Here and There"
Volker Michalowski (in the middle), Gael García Bernal (on the right) in "Salt and Fire" (2015/16)
Swetlana Alexjewitsch in "Near and Elsewhere" (2018)
Sangay Rinchen, Irja von Bernstorff (both in the front) in "The Farmer and I" (2013-16)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
French screenplay (excerpt) of "Die Spaziergängerin von Sans Souci".
Internal correspondence on a new title of "Das verbotene Paradies".
Julius Urgiss, Oesel genommen, Der Kinematograph, 566, (1917), S. 22-24. Rezension der Aufnahmen des Königlichen Bild- und Filmamtes von der Eroberung der Insel Ösel (Estland, zum russ. Reich gehör...
Trailer (draft) for "Liebe", handwritten.
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...