A look at the social and economic changes in Scotland during the 1950s, after the upheaval of the war. From the restoration of Iona Abbey to the development of new industries.
A tour through various exhibitions in the Kelvingrove Art Gallery and Museum.
Made for screening at the 1925 World Educational Congress Edinburgh, the film gives a survey of the educational opportunities offered in Edinburgh from infants up to senior pupils.
Women exercising during a keep-fit class.
The festival of the Braw Lads Gathering in the Borders town of Galashiels; the historic flag is presented and then carried on horseback through the town.
The people of Lochgelly at work and play, with footage of wash day and playing golf and bowls.
A record of the renovation work on the Bellhaven cafe, Wishaw, Lanarkshire, between 1948 to 1955; shows the work of masons, joiners, glaziers and the Cocozza family on the new Cafe, and the interest o...
An impressionistic account of the attractions that Aberdeen and Deeside offer the summer visitor.
"The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
"Above and Below" (2012-14)
Enrique Fiss, Benny Techen (left to right) in "Near and Elsewhere" (2018)
"And-Ek Ghes..." (2015/16)
Michael Shannon, Veronica Ferres in "Salt and Fire" (2015/16)
Szene aus "Noise and Resistance"
"Above and Below" (2012-14)
Daily production report on the shooting of "Der Czardas-König (Die Emmerich-Kalman-Story)", No. 1, 08 May 1958.
Dialogue list (excerpt) for "Scotland Yard jagt Dr. Mabuse".
English screenplay (excerpt) of "The Death-Ray Mirror of Doctor Mabuse".
Egon Jacobsohn, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 652, (1919), S. 21. "Die Welt, der große Kuppler" wird als kitschig und misslungen bewertet, ebenso "Die Postanweisung". "Ich...
Letter from Wolf Brauner to Horst Wendlandt, 08 May 1958 regarding the shooting for "...und immer ruft das Herz".
F. Felix, Krieg den Kriegsdramen, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 4/5, (1914/1915), S. 91-93. Polemik gegen die Verarbeitung der Kriegsereignisse im Film und gegen...