Unedited footage. Landscapes of the Serra da Estrela (the highest mountain range in Continental Portugal). Rock Cabeça da Velha.
Unedited footage. In Oporto, the climbing of Clérigo’s Tower by the Galician acrobats Puertollano in July 1917 as a promotional event of a crackers brand.
Comprehensive documentary film about the coal industry in the colamines of S. Pedro da Cova (north of Portugal).
Film on the city of Viseu and its several touristic spots: churches, monuments, forts, 15th and 16th century houses, palaces, hotels, ancient and modern streets and avenues, parks and bridges.
In a fire drill, a phone call alerts the firefighters to a fire in a block of flats. In the barrack, firefighters go to their vehicles to fight it and perform a rescue.
The celebrations in Lourenço Marques (now Maputo) for the transfer of the territories administrated by the Niassa Company (of British and French interests) to the control of the Portuguese colonial g...
Film presenting touristic spots of Évora, in Alentejo: Giraldo Square, Cathedral, Roman Temple (Temple of Diana), São Brás Chapel, São Francisco Church and Church of Nossa Senhora da Graça.
Carts pulled by horses march in Campo Grande with spectators in the stands. Occasionally we see flowers being throwed.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame
Film frame
Film poster of the first public screening of films directed by Aurélio da Paz dos Reis.
Short note on the inexistance of Portuguese legislation on film industry.
A foretaste of Portuguese cinema's success in the year of 1930.
Notes on the educational potential of film.
On the potentials of sound film for the recording of Portugal’s oral traditions.
A protest on the fragmentation of a film about Angola as a way for exhibitors to enforcing the law.
Notes on a group of documentary films and on documentary cinema in general.
Notes on the difficulties of documentary film production.