During a trip to the island of Aegina, Lampros (Lampros Konstantaras), who is returning to his wife after a 15-year separation, meets Gianna (Jenny Karezi), who is visiting her mother Elena, and Iason...
A NATO airplane accidentally drops a hydrogen bomb near a Greek island. Agents arrive on the island to retrieve the dangerous weapon. At the same time, Greek agents pretending to be businessmen are al...
Stella (Melina Merkouri), a singer at the Paradise nightclub is living a guiltless, turbulent, passionate and vigorous life. When she meets Miltos (Giorgos Fountas), a famous soccer player, she leaves...
A man belonging politically to the Left (Nikos Kalogeropoulos) comes to the verge of killing himself after a severe crisis. He tries to write a book about things that used to be and are no more. Every...
Loukas, who is a crook, lives under the same roof with Liana (Irene Papas) and her mother Elli (Smaroula Giouli). Loukas works at a taverna. One day, a drug dealer suggests that they work together so ...
The introduction of this film is set during the time of the Junta (1967-1974) when the main character (Lefteris Dimakopoulos) used to work at the fish-market in Mesolonggi in order to be able to finis...
A girl from a good, well-to-do island family, Anna, is studying in the Medical School in Athens. She is in love with a poor fisherman, Dimitris, whom her father doesn’t want as his son-in-law. The y...
Nikos (Angelos Mavropoulos) tries to raise his adopted daughter Mairoula (Mirka Kalatzopoulou) on his own after losing his wife. When Mairoula grows up, Nikos marries Aliki (Efi Oikonomou), who behave...
Generic with a list of movies from which the extracts included in the specific movie have been isolated, a stitching together of images about the "vamps" of the global motion pictures. Dozens of names...
The programme for The Ark of Cinema announces a celebration screening of restored films with musical accompaniment by Ch. Zerbinos and Val. Beikof. The notes by G. Veltsos refer to internal and extern...
The film is characterized as the "leading moment of romantic love on the American screen” and a reference is made to the novel that inspired the script. Vivian Leigh (fragile, affecting) and Robert ...
Programme for the IRIS Cinema Front page: 1. Τhe name of the cinema and the comment "The elegant cinema for a high-class audience", 2. "COLOURFUL, CRAZY SYMPHONIES" 3. "ONE WOMAN ONE THRONE", star...
The presentation starts by giving a brief comment about the film by Francois Truffaut. The program informs us that this is the first theatrical feature film by B. Dubois, with the quite paradoxical s...
Thoughts about the post-neo-realistic period of Italian cinema. Singles out Petri among the "masters" of the time with the black corrosive humor". The cast of actors is found to be wonderful.
The program is mainly dedicated to the course and personality of Jane Fonda with a few words about her co-star and the 'unbelievable story' of love in a student 'Boot Camp'.
The program starts with information about the “first social movie” (silent movie) “with realistic subject about the working class”. Presentation of the film plot which has as the central chara...
Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.
GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.
PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS