An 18-pounder field gun battery emerges head-on out of a farm courtyard onto a very wet and muddy road. RFA gunners pack 18-pounder shells into wooden boxes for transportation. A 4.5-inch field howitz...
A selection of the most visually attractive film taken by the British official cameramen during March and April (for the GERMAN OFFENSIVE series) without regard to date or place, padded out with stock...
I. 'DIFFICULTIES OF TRANSPORT. Some of the troubles to be overcome by the transport to keep in touch with the advancing troops.' Wagons, carts, 18-pounder artillery and a convoy of motor lorries pass ...
I. RAMC men help refugees in a street in Douai to load both themselves and their belongings into a British Army lorry. As the last one is loaded the tailboard is closed up and the people wave as the l...
The ceremony takes place in a field, with men of Plumer's staff watching as he pins medals for bravery onto women officers of the Queen Alexandra's First Aid Nursing Yeomanry and the Voluntary Aid Det...
A posed group of the battalion. One man has a small child on his knee, to whom he is chanting nursery rhymes. The men form up for an issue of beer. Men of 'C' Company are issued with hot food from car...
The general area of Ypres. Filmed from just outside the town itself, shells falling on buildings on the outskirts. Two Mark V tanks, one Male, one Female, both carrying soldiers, move over open countr...
A Cavalry troop makes a charge across the face of the camera, thrusting with swords or lances at sacks stuffed with straw on the ground. All the demonstrators are riding light, without bandoliers, val...
Screenshot from "Zwei blaue Jungen"
Screenshot from "Tirol in Waffen"
Screenshot from "Erzherzog Joseph auf dem Kriegsschauplatz"
Still from "Tirol in Waffen"
Still with Rudolf Biebrach (on the right, standing)
Still from "Tirol in Waffen"
Screenshot from "Heimkehr"
Still with Rudolf Biebrach (in the middle, top)
Der Zensur ist tot- es lebe die Zensur !, Der Kinematograph, 623, (1918), S. 17-18. Die Abschaffung der Zensur stelle Filmemacher vor die Frage, was derzeit erlaubt sei und was nicht. Es solle keine Z...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 614, (1918). "Kinder der Liebe" als Tendenz- und Aufklärungsfilm bezeichnet, dessen Absicht überzeuge. "Der Gefangene von Dahomey" se...
R. Genenchen, Kriegsunterstützung und Kinobesuch, Der Kinematograph, 506, (1916), S. 17. Bericht darüber, dass die Gemeinde Weida/Sachsen Soldatenfrauen, die Kinos besuchen, die städtische UnterstÃ...
Mercedes-Film GmbH, Die Leibhusaren und ihre Geschichte, Der Kinematograph, 565, (1917). Die Werbung verweist darauf, dass der Film durch von Mackensens Frau gefördert wird.
Oscar Geller, Detektiv-Filme, Der Kinematograph, 593, (1918), S. 21-25. Eröterung der Krimiwelle. Man könne Krimis nicht einfach als Schund abtun. Auch wenn viele der frühen Krimis, maßgeblich aus...
Argus, Der rasende Roland von Euskirchen, Der Kinematograph, 582, (1918), S. 6. Entgegnung auf Vorwürfe des Euskirchener Volksblattes, das Kino sei sittenverderbend. Der Schriftleiter Werner Rats kö...
Der Lustspielfilm, Der Kinematograph, 490, (1916), S. 17-18. Bericht über die große Zahl an Komödien, die in den letzten Monaten erschienen seien.
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 559, (1917), S. 12-13. Rezension des von der Bufa herausgebrachten Films über den U-Boot-Krieg.