I. 'WHY THE GERMAN FLEET IS IDLE. A fear of the British Leviathans which make mutiny in the German Navy preferable to action.' LS off the port beam of HMS Collingwood and pan right to Orion Class batt...
I. 'Admiralty Official Film. THE KING ATTENDS "DIVISIONS". In the Navy "Divisions" is the equivalent to the regimental parade in the Army, the ship's crew assemble on the quarter deck to the playing o...
Men of US 2nd Division move into Thiaucourt along with their transport. The interior of the town church is badly damaged and the roof destroyed. A pan from Mount Sec, with four American soldiers in th...
The film starts with a cartoonist drawing figures which then animate themselves. The Kaiser sharpens a knife to carve up the world, the figures "1914" flying from the sparks. He and Franz Josef gloat ...
Over the rough ground of the foothills the British drive their tanks, the Light Tank Mark IIB. In close-up, the turret of one tank opens and the commander (wearing a special tanker's helmet) emerges t...
The townspeople and some British officers and NCOs watch as the members of the corps celebrate the Chinese New Year with a procession, including two 'Junks' carried by one man each, a tug of war, a gr...
The procession is led by a car covered in Union Jacks. It includes a military band, a mock stagecoach, more cars, a display of troops marching, military cadets, the 6-inch howitzer drawn by a camoufla...
The cadets, on the ground, study maps. Two of them climb out of a Bristol F2B Fighter after a training flight. One has his parachute harness checked. Another tries to control his parachute on the grou...
Still with Rudolf Biebrach (on the left)
Szene mit Rudolf Biebrach (Mitte)
Szene mit Rudolf Biebrach (auf Pferd)
Screenshot from "Zwei blaue Jungen"
Screenshot from "Tirol in Waffen"
Maria Immhofen (in the middle), Olaf Fønss in "Die Vernichtung der Menschheit" (1916)
Screenshot from "Heimkehr"
Screenshot from "Zwei blaue Jungen"
Oscar Geller, Detektiv-Filme, Der Kinematograph, 593, (1918), S. 21-25. Eröterung der Krimiwelle. Man könne Krimis nicht einfach als Schund abtun. Auch wenn viele der frühen Krimis, maßgeblich aus...
Argus, Der rasende Roland von Euskirchen, Der Kinematograph, 582, (1918), S. 6. Entgegnung auf Vorwürfe des Euskirchener Volksblattes, das Kino sei sittenverderbend. Der Schriftleiter Werner Rats kö...
Mercedes-Film GmbH, Suchomlinow, Der Kinematograph, 566, (1917), S. 27.
Die grosse Wette. Ein phantastisches Erlebnis aus dem Jahre 2000, Der Kinematograph, 476, (1916), S. 17.
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 562, (1917), S.18-27. Die Messter-Film-Aufnahmen vom Luftkämpfen stehen an erster Stelle und werden als sensationell bezeichnet.
Universum Filmverleih, Der ewige Frieden Pax Aeterna, Lichtbildbühne, 48, (1918), S. 68
Neutral Film, Die Welt ohne Hunger, Lichtbildbühne, 48, (1918), S. 3.
Der Lustspielfilm, Der Kinematograph, 490, (1916), S. 17-18. Bericht über die große Zahl an Komödien, die in den letzten Monaten erschienen seien.