The airship emerges tail first from its shed, and is steered to the take-off point by its groundcrew. The camera is some distance away and shows the full length of the airship. Very slowly it begins t...
The pilots start at a Cadet School where they are taught drill and basic skills. "The first necessity of an airman is that he must have discipline." The cadets are in various British uniforms, and inc...
The train consists of two open-sided trucks, guarded by British soldiers of the Machine Gun Corps. Four of these soldiers go up to one of the trucks, clearly marked with a Red Cross on its roof, and t...
Harbour scene with mountains in the background. Steam launch comes alongside towing five ship's boats crowded with ratings and marines. Local people watch as the sailors disembark. Crowds pass waterfr...
The film starts with a cartoonist drawing figures which then animate themselves. The Kaiser sharpens a knife to carve up the world, the figures "1914" flying from the sparks. He and Franz Josef gloat ...
A rear view, from a sandbagged bunker, of a flame-projector nozzle angled upwards from a solid base. Pipes lead back to fuel cylinders in the bunker. These are operated by a civilian and an Army offic...
Over the rough ground of the foothills the British drive their tanks, the Light Tank Mark IIB. In close-up, the turret of one tank opens and the commander (wearing a special tanker's helmet) emerges t...
The townspeople and some British officers and NCOs watch as the members of the corps celebrate the Chinese New Year with a procession, including two 'Junks' carried by one man each, a tug of war, a gr...
Wide shot of a hospital room with a group of standing patients and three military privates. One of the privates, infantryman Tlamicha (actor: Theodor Pištěk), stands in the middle and conducts as th...
Wide shots of an office. A group of seven Austrian officers (fifth from left is actor Jaroslav Marvan) stand at the door and look at Dr. Šrámek (actor: František Smolík), who is standing behind a ...
Panorama of the city of Brno (one of the film's settings) with a railway station in the foreground and the top of Špilberk castle on the horizon. The cathedral of Saints Peter and Paul protrudes up o...
Wide shot of a corridor. Corporal Bartoněk (actor: Jiří Vondrovič) is standing on the right with an arm in a cast and bandaged eyes. Infantryman Tlamicha (actor: Theodor Pištěk) is standing next...
Panorama of the city of Brno (one of the film's settings) with the cathedral of Saints Peter and Paul on the horizon.
Arthur Loening, Ein Friedensfilm, Lichtbildbühne, 50, (1918), S. 40 & 56. Der Film greife die aktuelle Sehnsucht nach Frieden auf. Wie aber der Westfälische Frieden einen Machtzuwachs für Frankreic...
Deutsche Lichtbild Gesellschaft e.V., Der Friedensreiter, Der Kinematograph, 618, (1918), S.22-23.
Der deutsche Film für das Ausland, Der Kinematograph, 620, (1918). Es sei Aufgabe der deutschen Filmindustrie, den negativen Vorstellungen über Deutschland, die im Ausland im Krieg verbreitet worden...
Im Soldaten-Kino, Der Kinematograph, 469, (1915), S. 8-9. Bericht über ein Kino an der Front. Das Kino helfe den Soldaten, durch Unterhaltungsfilme, die sie im zivilen Leben als sehr abgeschmackt ang...
Fort mit den letzten Überresten polizeilicher Gewalten, Die Filmwelt, 12.Jg., 49, (1918). Aufruf, dass nach Wegfall der Zensur auch alle anderen polizeilichen Verordnungen wie Werbeverbote oder das k...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 566, (1917), S. 21-22. Rezensionen zu "Aus des Deutschen Reiches Waffenschmiede", "Höhenluft mit Henny Porten" und "Der schwarze Chauf...
Josef Max Jacobi, Der Triumph des Films, Der Kinematograph, 563, (1917), S. 13-14. Die Macht des Films sei lange verkannt worden, im Krieg aber hätte sie sich bewiesen. Kinobesitzer sollten mit gutem...
Julius Urgiss, Oesel genommen, Der Kinematograph, 566, (1917), S. 22-24. Rezension der Aufnahmen des Königlichen Bild- und Filmamtes von der Eroberung der Insel Ösel (Estland, zum russ. Reich gehör...