A rear view, from a sandbagged bunker, of a flame-projector nozzle angled upwards from a solid base. Pipes lead back to fuel cylinders in the bunker. These are operated by a civilian and an Army offic...
Stretcher cases and walking wounded are taken progressively further to the rear in the chain of medical stations behind the divisional front. Initially wheeled stretchers bring the wounded to a Field ...
Firstly, a column of Infantry marching through a town showing shell damage - the light values have been set wrongly and the film is far too dark. This is followed by British, or possibly Canadian, sol...
The battalion, led by its band, on a route march down a tree-lined lane. A group of the battalion officers. A party of signallers practising training exercises. The band marches up and turns in format...
A Royal Navy bagpipe band parades around the sports field. The end of one of the races is shown. A 'reveille race' of men getting dressed. More races take place, some for WRNS and WRAFs. A 'clown' gro...
The division, in marching column, enters the suburbs of the city. One of the leading battalions, led by its band, marches down a main street, being passed by trams. The Hohenzollern Bridge and Cologne...
I. Carrier pigeons in a loft behind the French lines are fed by their soldier-keepers. In the trenches a message is fitted to one pigeon, which flies back to its loft where the message is removed. The...
The fête is for the various Allied contingents. The Italians and French have their national flags on display. Soldiers and civilians of various nationalities wander through the sunlight, all rather c...
Screenshot from "Heimkehr"
Szene mit Rudolf Biebrach (links)
Screenshot from "Zwei blaue Jungen"
Still with Rudolf Biebrach (lying)
Still from "Tirol in Waffen"
Screenshot from "Heimkehr"
Screenshot from "Fürstliches Familienglück"
Egon Jacobsohn, Ferdinand Lassalle, Der Kinematograph, 615, (1918), S. 18-30. Bericht von der Uraufführung in Berlin. Die Aufführung sei ein voller Erfolg gewesen, zumal es besonders gut in die Zeit...
Saturn Film AG, Rasputin. Drama in 5 Akten, Der Kinematograph, 553, (1917), S. 24.
Scala-Film-Verleih GmbH, Der Hetman der Ukraine, Der Kinematograph, 581, (1918), S. 18-19. Die Anzeige geht auf den Sieg gegen Russland ein und erwähnt das Interesse des Publikums an der Geschichte d...
Lt. Ludwig Brauner, Das Kinogeschäft nach dem Kriege, Der Kinematograph, 505, (1916), S. 15-16. Prognose über das Kino nach dem Krieg. Das Krieg habe dem Kino zu einer breiten Anerkennung verholfen,...
Zensurwirrwarr !, Die Filmwelt, 12.Jg., 50, (1918), S. 12-20. Obwohl die Zensur durch Reichsgesetzgebung aufgehoben sei, würde die Zensur in Württemberg und Bayern weiterbestehen, in Berlin würden ...
Das Königliche Bild-und Filmamt und die Industrie, Der Kinematograph, 571, (1917). S. 22ff. Artikel über Verhandlungen des Bild-und Filmamtes mit Vertretern der Filmindustrie. Bufa zeige sich am Woh...
P. Max Grempe, Deutsche und feindliche Kinopolitik im Weltkriege, Der Kinematograph, 515, (1916), S. 17-19. Erötertung der verkehrten Politik Deutschlands in Bezug auf das Kino. Die hohen Lustbarkeit...
National-Film-A.G., Freiheit, Gleichheit, Brüderlichkeit !, Lichtbildbühne, 45, (1918).