Many Happy Returns Matthias and Anna have been separated for some time, the only reason they still have contact is because of their seven-year-old son Lukas. On Lukas' birthday the two want to organiz...
Aerial shots taken of the construction of the Afsluitdijk causeway, which was completed in 1932. The plane circles above the construction activities, and shows the part of the dike that has already al...
Documentary about the inhabitants of Volendam Shots of Volendam, Urk, Spakenburg, and Marken were very popular in the early years of film. These villages had much to offer filmically, including their ...
Nach "Oderland. Fontane" und "Rhinland. Fontane" ist "Spreeland Fontane" der dritte Teil in einer Reihe dokumentarischer Film-Essays über Theodor Fontanes fünfbändige Reiseschilderung "Wanderungen ...
Come in and Burn Out Sascha has just started work at a call center. Like the unsociable Adrian and the single mother Marie, he is still looking for his place in life. Only Harms, the team leader, seem...
(Reel 1) Soldiers, probably 57th (West Lancashire) Division, use hoses and ladders to suppress a fire raging in one house. In the main square the streets have been cleared of rubble but all the buildi...
A young man leaves his hometown and is presumed missing after he deserted the army. Years later, his brother (Aris Lempesopoulos), who is a policeman, discovers fake documents that lead him to believe...
Another production based on the same operetta, with a mixed cast this time – actors from both stage and screen, as well as artists from the opera. Despite the time of the production, the film still ...
Szene aus "Felidae"
"Aggregat" (2018)
Rudi Schuricke bei den Dreharbeiten
John Taylor (PlasticsEurope) erklärt die Vorzüge von Plastik
"Die Tarantel" (1919)
Szene mit Reinhold Schünzel (im weißen Mantel)
Friedrich Domin, Albert Lieven (v.l.n.r.)
Edith Posca, Eugen Klöpfer, Frida Richard (v.l.n.r.)
STILL ABOUT NIKOS KOUNDOUROS’ “THE OGRE OF ATHENS": THE FACTORS OF PRODUCTION AND THE PLOT IN FRENCH AND ITALIAN. [photo of the inside].
STILL ABOUT LAKIS PAPASTATHIS’ “THEOFILOS”: THE PLOT AND BIOGRAPHICAL NOTES ABOUT THE DIRECTOR. ALSO, THE FACTORS OF PRODUCTION AND CAST AS WELL AS PHOTOS.
STILL ABOUT M. KAKOGIANNIS’ “TROJAN WOMEN” WITH A LOT OF PHOTOS FROM THE FILMING UNDER M. KAKOGIANNIS’ DIRECTION.
STILL ABOUT G. ZERVOULAKOS “NAKED IN THE SNOW”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS.
STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the inside].
STILL ABOUT D. DIMOGERONTAKIS’ “HELIOGRAPHY”: THE DIRECTOR’S BIBLIOGRAPHICAL NOTES, A SUMMARY OF THE FILM AND THE FACTORS OF PRODUCTION. [photo of the back cover].
STILL ABOUT IOANNIS LOUMOS’ FILM “STELLA VIOLANTI”, ΑΠ' GR. XENOPOULOS’ STAGE PLAY WITH THE SAME TITLE; PRODUCTION “HELLAS FILM”; THE FACTORS OF THE PRODUCTION, CAST, PLOT AND A LOT...
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “NARRATIVE DESCRIPTION OF A SUNDAY”: A SUMMARY OF THE FILM, THE CAST, FACTORS OF THE PRODUCTION AND PHOTOS. [photo of the front cover].