Melodrama about a simple woman from Amsterdam who is forced to choose between the depraved father of her children and the love of a kind-hearted sailor. Willem, an honest sailor, is head over heels ...
The documentary film traces legends and myths in the Alpine region and the belief in an otherworldly reality associated with them. In many places still alive today, there is - according to old locals ...
WonderlandFall has come and it is getting cold in Switzerland. But what is brewing in the skies is more than just your average autumn storm. Out of nowhere, an unexplainable and menacing dark cloud ha...
The film describes the ground as "more than famous - sacred" and the record as having been made "with homage and reverence". It starts with the view about a mile out from Ypres on the Menin Road, faci...
The film reflects the life of the Macedonian emigrants and migrant workers in Australia. With their going away in far away countries and living abroad, some of them have succeed in socializing, but th...
Some years after the revolution and her active involvement in it, Manto Mavrogenous (Jenny Karezi) asks for a fighter’s pension and reminisces on her life. Despite her mother’s (Kakia Panagiotou) ...
A girl (Anna Fonsou) finds out, a little before she gets married to her beloved (Nikos Tzogias), that her supposed father is really her uncle. The latter, when his own daughter died, represented the e...
Aimilios, disappointed by his exhausting life in Athens, where he works in an advertising agency, returns to his village to find peace. His own people, however, treat him with hostility, considering h...
Szene aus "Felidae"
"Aggregat" (2018)
Rudi Schuricke bei den Dreharbeiten
John Taylor (PlasticsEurope) erklärt die Vorzüge von Plastik
"Die Tarantel" (1919)
Szene mit Reinhold Schünzel (im weißen Mantel)
Friedrich Domin, Albert Lieven (v.l.n.r.)
Edith Posca, Eugen Klöpfer, Frida Richard (v.l.n.r.)
STILL ABOUT NIKOS KOUNDOUROS’ “THE OGRE OF ATHENS": THE FACTORS OF PRODUCTION AND THE PLOT IN FRENCH AND ITALIAN. [photo of the inside].
STILL ABOUT LAKIS PAPASTATHIS’ “THEOFILOS”: THE PLOT AND BIOGRAPHICAL NOTES ABOUT THE DIRECTOR. ALSO, THE FACTORS OF PRODUCTION AND CAST AS WELL AS PHOTOS.
STILL ABOUT M. KAKOGIANNIS’ “TROJAN WOMEN” WITH A LOT OF PHOTOS FROM THE FILMING UNDER M. KAKOGIANNIS’ DIRECTION.
STILL ABOUT G. ZERVOULAKOS “NAKED IN THE SNOW”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS.
STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the inside].
STILL ABOUT D. DIMOGERONTAKIS’ “HELIOGRAPHY”: THE DIRECTOR’S BIBLIOGRAPHICAL NOTES, A SUMMARY OF THE FILM AND THE FACTORS OF PRODUCTION. [photo of the back cover].
STILL ABOUT IOANNIS LOUMOS’ FILM “STELLA VIOLANTI”, ΑΠ' GR. XENOPOULOS’ STAGE PLAY WITH THE SAME TITLE; PRODUCTION “HELLAS FILM”; THE FACTORS OF THE PRODUCTION, CAST, PLOT AND A LOT...
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “NARRATIVE DESCRIPTION OF A SUNDAY”: A SUMMARY OF THE FILM, THE CAST, FACTORS OF THE PRODUCTION AND PHOTOS. [photo of the front cover].