Estremoz market. Bullfight. Visit of the Minister for Agriculture. Football match.
Unedited footage. The horse artillery unit of Queluz perform artillery manoeuvres, in the trenches, combat simulation.
Newsreel on the trip to Lisbon of a “Kraft durch Freude” group of travellers: arrival of the German liner ‘Der Deutsche Bremen’ to the river Tagus, reception by the German community, social lu...
Documentary film on the wheat cultivation in Portugal in the 1930s and 1940s.
Portrayal of 3 companies from the North of Portugal: jewellery making, fish canning industry, meat factory.
Incomplet. Bull herdsmen on horseback control herds of cows and bulls. Theyr prepare them to bullfights, stimulating their fierceness, train them in a ring and brand them in an ox-stall.
Incomplet. The architectural heritage, mainly of religious nature, and the industrial and commercial aspects of Barreiro.
The quarries of Pero Pinheiro, Sintra. Views of the work in the quarry and its facilities.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Article on the director’s position in the Portuguese film industry and on his joining the Empresa Leitão.
On the use of portable projectors for home sessions and as an aid to education.
Notes on the film productions of the daily newspaper “Diário de Notícias”.
Announcement of the foundation of Portugália Film, its goals and ambitions.
On the celebration of the 3rd anniversary of the film magazine and the programm presented at Salão Trindade.
On the installation of Empresa Leitão and the production company’s starting activities with references to its first film.
Commentary on the exhibition of the group of 12 films of the series ‘Portugal pittoresco e monumental’.
Notes on the film and its thematics.