Unedited footage. The footage depicts a release of bulls in the streets, which are then fight by several horsemen and bull herdsmen as a test to their fierceness ('tenta') in an open land in Vila Nova...
One of the earliest Portuguese films, by Aurélio da Paz dos Reis, frequently refered to as the first portuguese film director, shows the stunts of a trapeze artist in a garden.
Images on the arrival in Lisbon of the German Emperor Wilhelm II for an official visit.
Documentary film of the South Atlantic aerial crossing, from Lisbon to Rio de Janeiro, by Gago Coutinho and Sacadura Cabral in 1922.
Touristic sites of the Graça area, in Lisbon: churches (Penha de França, S. Vicente de Fora, Graça), Flea market, J. de Castilho bust and Estrela d'Ouro neighbourhood.
Views of several locations in the North of Portugal: Melgaço and Viana do Castelo, the Senhora da Agonia Festivities, Lamego, the river Vouga railway line, the river Leça, Oporto and Gaia.
Amateur film; unedited footage. Images of the North of Portugal: a traditional parade, a horse show, a train on the banks of the Douro river, washerwomen, oxen carts, villagers and sheperds.
The monuments and landscapes visited by the group excursion.
The exteriors of the studios of the Oporto-based film company, Invicta Film.
Film frame
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
film frame
portrait
Film frame
portrait
Film frame
Review of a conference on the many practical applications of film in arts, industry, science, trade and war
News of the establishment of a production company in Oporto dedicated to depict monuments and sites.
Directory of documentary films illustrating the sites, landscapes, activities and monuments of Portuguese regions.
Notes on the films portraying Portugal’s participation in WWI.
Directory of non-fiction films produced by Gaumont in Portugal.
Notes on the censorship of all films depicting themes related with WWI.
Notes on the film 'A vida na Penitenciária de Lisboa' (‘Life in Lisbon’s Penitentiary’) and on its subject matter.