The video shows the first five minutes of the film. Films from the National-Socialist period must be considered in the context of state-influenced production and reception. Further informations »
Displaced persons in post-war Germany: The situation of refugees and displaced persons from the East is portrayed using the example of four fictional fates.
Naturdokumentation, gefilmt in deutschen Wäldern, Wiesen und Gebirgen. Vielfältig setzt Regisseur Jan Haft die hiesige Wildnis in Szene und verwendet dafür auch Stilmittel wie Zeitraffer und Ultra-...
Naturdokumentation, gefilmt in deutschen Wäldern, Wiesen und Gebirgen. Vielfältig setzt Regisseur Jan Haft die hiesige Wildnis in Szene und verwendet dafür auch Stilmittel wie Zeitraffer und Ultra-...
The trenches at home. Imperator-Film / Janssen wants to make his brother-in-law Kramer buy war bonds. / Buy war bonds! / “You have to! Do not abandon those just outside your door! If you don’t car...
In Japan, the notion of homeland has a special meaning: The common belief is that men keep the landscape in which they were born inside of them for the rest of their lives. Yet what happens if this ho...
Szene aus "Heimat auf Zeit"
"Heimat unter heißer Sonne" (1958/59)
Filmplakat
"Furusato - Wunde Heimat" (2016)
"Heimat unter heißer Sonne" (1958/59)
German movie poster
Szene mit Camilla Horn (MItte)
Filmplakat
The Ministry of the Interior of Baden and the Ministry of the Interior of Bavaria applied for revocation of permissionof the film "Wie das Mädchen aus der Ackerstrasse seine Heimat fand" at the censo...
The film "Wie das Mädchen aus der Ackerstrasse die Heimat fand" was banned by the censorship office in Berlin. After a re-examination the film was permitted by the censorship headquarter in Berlin wi...