A camping expedition by an uncle and his nephew, showing the do's and don'ts of the countryside code.
A film tracing the introduction of movement as a factor in 20th century art. It records various ways in which artists have tackled this development such as Gabo, Calder and Soto.
Surrealistic view of the "Honeymoon couple", interrupted by salesmen, consumer goods, jealousy, anger and infidelity. [Award winner in the 1957 Scottish Amateur Film Festival.]
A descriptive essay on the city of Edinburgh, and in particular of Edinburgh Castle.
A promotional film for George Waterston and Sons of Edinburgh, Wax Chandlers. This film shows interiors and machinery of the firm's old wax making factory at St. John's Hill, just prior to demolition....
Aberdeen High School for Girls - from the first day of infant class to prize-giving for senior pupils leaving school. All aspects of learning are recorded, with emphasis on drama, music and dance.
An exploration of St Peter's Seminary, Cardross on the Firth of Clyde.
Glasgow in the post-war years and the Corporation's futuristic plans for the city's development. [The film was made to tie in with an exhibition of the same title, held at the Kelvin Hall in Glasgow....
Veronica Ferres in "Salt and Fire" (2015/16)
Irmin Schmidt in "Can and Me" (2022)
"The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
"Above and Below" (2012-14)
Thomas Riedelsheimer (in the middle), Andy Goldsworthy (on the right) on the set of "Rivers and Tides" (1998-2001)
Filmplakat für die Berliner Aufführungen von "Nürnberg und seine Lehre", welche druch die sowjetische Blockade bis Mai 1949 verzögert wurden
German movie poster of "Messi and Maud" (2017)
Daily production report No. 2, 24 June 1959 on the shooting of "Melodie und Rhythmus".
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.