Short film of the audience leaving the afternoon show at Circus Carré. In the early years of film, shots of visitors after a performance, churchgoers after a service, or workers leaving the factory w...
Love story set against the backdrop of the American Civil War.
Short film in which William leaves for the city to study, after having promised to marry Mary after he graduates. Meanwhile Mary's father, a drunkard, steals from William’s father. This makes Mary w...
Documentary about Hoorn This film about Hoorn focuses on the glorious past of this former VOC city. Hoorn is presented as a typical small town in Holland, where the prosperity of the past is still vi...
A comedy in which Ned does everything he can to get a raise in his salary, so that he can marry Lena.
A Western drama about a young family that goes looking for a piece of land, but are harangued by a criminal.
A compilation film made on the occasion of the 25th jubilee of the reign of Queen Wilhelmina.
Near the fountain on Amsterdam’s Frederiksplein, various people kneel down in venerating poses. The film was shot from the Paleis voor Volksvlijt .
German movie poster of "Salt and Fire" (2015/16)
Irmin Schmidt in "Can and Me" (2022)
"Above and Below" (2012-14)
"The Farmer and I" (2013-16)
Szene aus "Noise and Resistance"
Hendrik Heutmann, Martina Schöne-Radunski in "Love and 50 Megatons" (2019)
Episode: Das Ritual
Szene aus "Noise and Resistance"
Daily production report No. 2, 24 June 1959 on the shooting of "Melodie und Rhythmus".
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.