Documentary film on the Works and daily life in Lisbon Harbour: transit of passengers, ships, cargo.
The film depicts the traditions of Mozambique's local people: cereals milling, fire, ceramics, basketry, weaving, gold demand, native dances and masquerade.
3rd May. The Mocidade Portuguesa’s Day (Portuguese Youth) celebrates in open air, camping at the National Stadium in Vale do Jamor and including outdoor games and gymnastics.
The refloating operations of the tug vessel “Cabo Sardão” sunk off Lisbon’s coast near Belém, in river Tagus.
Conference held in Palácio da Bolsa, Oporto. Views of the opening of the Public Works Exhibition in the same building and mess at the city’s cathedral.
Propaganda film for the launch of the campaign for the election of the President of the Republic.
The Hospital-Colónia de Rovisco Pais and its official inauguration, in the presence of the Ministers of Internal Affairs, Public Works and of Prof. Dr. Bissaya Barreto.
Cinematographic report on the study visit of 2 months to Angola by a group of teachers and students from the three Portuguese universities.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Notes on the work of film director José Branco Gomes Barata.
Notes on the team work; set still of Fernandez Tomaz.
A letter to the periodical on the authorship of the film «Angola» (1930).
Criticism on the weaknesses of the Portuguese documentary films included by law in every cinema-shows.
On the film potential in the domain of tourism. An incentive for that type of film.
On some weaknesses of the protection law stipulating the inclusion of 100 m footage of Portuguese documentary films in commercial scéances.
Notes on the first film exhibitions in Portugal and on Portuguese early films.
Notes on the huge development of documentary film, namely in Germany.