Landscapes and textile industry of Covilhã. Pasture areas, weaving and wheel factory, the wool's processing. Vegetables' market.
Unedited footage. Equestrian Centre in Campo Grande, Lisbon: shots of a horse ride and the audience.
Images of the village and its surroundings (Porches’ hill, film-theatre, church square, Carvoeiro Beach). Unedited footage.
Unedited footage. The site and prep work for the festivities of São Torcato (a religious celebration which usually includes the blessing of animals and a livestock contest), in Guimarães.
Corporate journey in Vila Nova de Gaia and Oporto in 18th April 1936. Includes food and clothes distribution to the poor.
Vila Franca de Xira: formal sitting at the City Council. Allegoric parade with the participation of the region’s sport and trade associations.
Unedited footage. Advertising film of canned tuna produced by the company Mello, Castello Branco, Ltd.
The film follows the visit of a delegation of foreign writers to Portugal.
Film frame of the film 'Panoramas do Porto' ('Panoramas of Oporto', c. 1900).
Portrait.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame.
Film frame
Film frame.
Portuguese film operator, Manuel Maria da Costa Veiga, remembers the first years of film exhibition in Portugal.
Weekly publication of cinematographic art.
Notes on the cinematographic work of Aníbal Contreiras and César de Sá.
Commentary on the scientific films’ enormous interest, namely those using chronophotography.
Notes on film’s potential in depicting reality with emphasis on some reels on WWI.
Commentary on the historical value of newsreels in terms of search and reconstructing of events.
Notes on the documentary films depicting submarine life, referring some technologies used.
Report on the departure of Augusto Claro to Africa and the reasons behind this departure.