Amateur film; unedited footage. A traditional dance during Epiphany’s Day (or Three Kings' Day) at Torre de Moncorvo's main Church square.
Incomplet. Images of Lisbon and and its different facets: shops, markets, parks, churches, monuments, palaces, streets, avenues and emblematic squares, viewpoints.
Coverage of the carnival party at the Paris film theatre, in Lisbon.
Incomplet. Unedited footage. Shots of the President Sidónio Pais’ visit to the North of the country: the arrival of the official delegation is attended by military and civilians.
Images of the excursion to the aforesaid places.
Melgaço (North of Portugal): views of the city and its surroundings.
Unedited footage. Exercises and activities of the Guarda Nacional Republicana: on horse, combat simulation actions with machine guns and rifles, musical band.
Monuments, public buildings, industry, agriculture and commerce, harbours and beaches of the region. Includes a group of men practicing ‘belluboard’ in a beach in Leça da Palmeira.
Film frame.
Film frame.
Film frame.
A page of Ernesto de Albuquerque's photo album.
portrait
Portrait of the film director.
film frame
Portrait.
Portuguese film operator, Manuel Maria da Costa Veiga, remembers the first years of film exhibition in Portugal.
Weekly publication of cinematographic art.
Notes on the cinematographic work of Aníbal Contreiras and César de Sá.
Commentary on the scientific films’ enormous interest, namely those using chronophotography.
Notes on film’s potential in depicting reality with emphasis on some reels on WWI.
Commentary on the historical value of newsreels in terms of search and reconstructing of events.
Notes on the documentary films depicting submarine life, referring some technologies used.
Report on the departure of Augusto Claro to Africa and the reasons behind this departure.