The President of the Republic Manuel de Arriaga and his delegation walk through the wharf of Cais do Arsenal. Images of the british RMS Durham Castle ship transporting troops to Mozambique.
Images of the funeral ceremonies of the poet Guerra Junqueiro, gathering a huge crowd who followed the procession from Basílica da Estrela to the Jeronimos Monastery.
The visit of the President of the Republic to the city council of Lisbon: arrival in carriage, a parade of a unit of infantry force in colonial campaign outfit.
Paço d’Arcos, Army. Views of the facilities and explosive devices work.
Documentary film on the education establishment, its facilities (edifice built in 1914 which now hosts the headquarters of the Guarda Nacional Republicana) and activites.
Train arrival to Sintra’s station. Views of the village: palaces and main buildings.
Views of the city of Guimarães. Upon today’s knowledge, only the image (incomplete) subsists.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Report on the release of the film.
Film-programme of the session presenting the documentary film.
Film-programme of the session presenting the documentary film.
Programme adverstising the 1908’s session of the film 'A grande caçada no Gerês' (Fournier, 1908).
Film programme of the session exhibiting the films 'A Panthera de Laos' and 'Na praia da Figueira da Foz' (1908).
Interview with the film operator and director about his work.
Interview with camera operator Daniel Quintin.
Film reviews of «Hell's angels», «All quiet on the western front» and «Lisboa Crónica anedótica» (Leitão de Barros, 1930).