Giuseppe Garibaldi was in America when he met and married Anita Ribeira. In 1848 Garibaldi decided to go back to Italy where war was imminent, and Anita followed him. In the fighting at Vascello...
01 – Cronaca (Roma, 22/10/1970) Esterni del Palazzo della Civiltà del Lavoro all'Eur; al suo interno si svolge la cerimonia di conferimento delle insegne ai nuovi cavalieri del lavoro. Il min...
Film restored in collaboration with Cinémathèque Suisse.
Agenore Pacifici è un vero enfant terrible. È la disperazione della sua famiglia che non ha mai potuto e saputo rendere tranquillo l’irrequieto fanciullo che ha preso specialmente di mira il...
Pittoresche immagini della Alpi Carniche: vallate, viadotti, un ponte attraversato da un treno, mucche al pascolo. Oltre al paesaggio, uomini al lavoro: un vecchio spaccalegna, un falegname che ...
The flat tops of the houses give the town an Eastern appearance - the narrow, roughly paved thorough fare through which loosely cloaked natives proceed on mule-back, the marabouts or travelling ...
Breve frammento in cui viene mostrato l'arrivo di un cinema ambulante, trainato da cavalli, per dilettare i soldati dell'esercito austriaco durante la prima guerra mondiale.
Il pittore Primo Conti (1900 - 1988) legge un libro nella sua casa di Fiesole, vengono poi ricordati i suoi esordi negli anni Dieci quando, giovanissimo, inizia a dipingere influenzato dai fauve...
Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.
Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.
Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.
Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...
Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.
After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).
Farmer Tomeš and his son Jeníček with the oxcart full of straw.
The battle of Zborov: A group of soldiers during the assault.
Kino : ill. týden. pro hlediště : orgán Synd. film. autorů. – Vol. 1, No. 1 (March 1919) -35 (December 1919). -- Praha : Volné vydavatelství KINO, 1919. -- ISSN 1804-4301 Weekly paper of the ...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Kino : ill. týden. pro hlediště : orgán Synd. film. autorů. – Vol. 1, No. 1 (March 1919) -35 (December 1919). -- Praha : Volné vydavatelství KINO, 1919. -- ISSN 1804-4301 Weekly paper of the ...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Kino : ill. týden. pro hlediště : orgán Synd. film. autorů. -- Roč. 1, č. 1 (březen 1919)-35 (29.12.1919). -- Praha : Volné vydavatelství KINO, 1919. -- ISSN 1804-4301 Týdeník Syndikátu f...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Kino : ill. týden. pro hlediště : orgán Synd. film. autorů. – Vol. 1, No. 1 (March 1919) -35 (December 1919). -- Praha : Volné vydavatelství KINO, 1919. -- ISSN 1804-4301 Weekly paper of the ...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...