A collection of fragments of British and Australian aviation film of the First World War period.
Subtitled "The work of the Department of the Director General Voluntary Organisations including the Camps Library". Introductory shot of the Director General Sir Edward Ward seated in his office in Sc...
VICTORY - GOD BLESS THE BRITISH ARMY THAT HAS SAVED OUR HOMES AND OUR ALL!: Stock footage of mortar launcher, bi-plane, and tanks. AND OUR INDOMITABLE SONS OF THE SEA WHO HAVE SAVED US AND OUR ALLIES ...
The assembly groups the films into episodes as follows: (Reel 1) Salonika, the voyage to Egypt, the ceremony of the drums, the aeroplane flight; (Reel 2) the horse show, scenes at a 'cactus patch' loc...
Four reels of very jumbled material, mainly out-of-focus or of poor quality. The first reel is mainly of fragments from the Western Front 1916-1918 taken by British official cameramen, the remainder f...
The film appears to be of the intervention in North Russia, but varies in quality from slightly out of focus to completely blurred.
Blurred and unviewable film of the British intervention in Nort...
The regiments are as follows. The Civil Service Rifles (a battalion of the Royal Fusiliers). The London Scottish (1/14th Battalion, the London Regiment). Pipers of the Argyll and Sutherland Highlander...
Five reels of stockshots of the Western Front, with no apparent theme or linking sequence. The majority of the material for all but the final reel comes from IWM 191 BATTLE OF THE SOMME. The majority ...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...
Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.
Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.
Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.
Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...
Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.
After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).
Farmer Tomeš and his son Jeníček with the oxcart full of straw.
Kritik aus Breslauer Zeitung (15.07.1917) zu Der Golem und die Tänzerin.
Monopolfilm-Vertriebs-GmbH..“Patriotisches Kriegs-Programm.“ Der Kinematograph 399 (1914): 5. Werbung für das aktuelle Filmprogramm der Monopolfilm GmbH.
Der Krieg auf der Ranch !, Der Kinematograph, 701 /02, (1920). Werbung für einen Western.
Das Wichtigste der Woche, Der Kinematograph, 670, (1919), S. 25-26. Seit dem 2.11.1919 gebe es in Berlin eine freiwillige Filmzensur. Die USPD habe im Reichstag den Antrag gemacht, die Kinos zu versta...
O. Verf.. „Kino und Kirche.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 73-74. Beschlüsse der Fuldaer Bischofskonferenz von 20.8.1913. Schulpflichtigen ...
Dr. Hellwig. "Plakatwesen in Bayern." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 23. Das Anbringen von Filmplakaten sei ohne polizeiliche Genehmigung noch imme...
Kriegsabenteuer eines Kino-Operateurs, Der Kinematograph, 437, (1915), S. 14-15. Erlebnisbericht des Müncher Kameramanns Martin Kopp von seinen Erlebnissen als Kriegsberichterstatter.
P.l., Kinematographische Kriegsberichterstattung, Erste Internationale Filmzeitung, 9.Jg.,Nr.22, (1915), S. 27. Die filmischen Kriegsneuheiten seien anfangs sehr begeistert aufgenommen worden, würden...