The location is a town behind the Western Front. The conscripts, still in civilian clothes, march forward with US soldiers to lay wreaths on the graves of French and US soldiers.Outside the cathedral ...
Refugees watch horsed transport move down a road by a shell dump. The gunners attend to their 155mm howitzers. Lorries move up another road. Gunners check that a 155mm Schneider gun is properly limber...
The Marquis, as a descendant of de Rochambeau, watches the ceremony. The actual presentation is made by the Marquise, watched by a number of civilians. Following the presentation the regiment marches ...
The film opens with a French and US soldier shaking hands, fading into a statue of Lafayette with Washington. Scenes of American troops disembarking at a harbour to substantiate the claim that there a...
Franchet d'Esperey is met from his train by various military representatives of the Allies, British, Italian and Serbian. Franchet d'Esperey goes on with his staff to review part of the French conting...
The formal ceremony takes place at the general's headquarters. He pins decorations on the standards of seven regiments, including that of 21st Battalion, Chasseurs (?). In Châlons, close to the headq...
Men of XXXIV Corps on a German railway line through the Bois de Loges captured intact on 12th August along with a derailed goods train and a dump of shells, mainly 77mm calibre. German prisoners, some...
Some of the troops line a trench, others a sunken road. Engineers of 3rd (Marne) Division build a light bridge over the river. Transport crosses a stone bridge as the sappers continue to repair it. A ...
Paul Wegener, Pola Negri
Still from "Das Liebesbarometer"
Still from "Das blaue Zimmer"
Henny Porten, Alexander von Antalffy
Still with Asta Nielsen
Screenshot from "Le 14 Juillet 1917. La fête des drapeau"
Olga Engl, Adolf Klein, Henny Porten, Theodor Loos (from left to right)
Szene aus "Der rote Baron"
Hermann Häfker, Kinematographie und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 1-3. Der Krieg sei der Sache der Kinoreform förderlich, weil die aus...
Waldner, Dagmar. "Kino und Wahlagitation." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 174. Bericht über den Einsatz des Films, um die Wähler über die Notwend...
Große Protest-Versammlung, Der Kinematograph, 678, (1920), S. 3. Aufruf zu einer Protestveranstaltung gegen die Verstaatlichung der Kinos.
Kurbelmann im Kriegsdienst, Der Kinematograph, 436, (1915), S. 21-24. Aus der Wiener Arbeiter-Zeitung zitierter Bericht über die Erlebnisse eines Kriegsfilmers.
Rennert, Malwine. „Gabriele d'Annunzio als Filmdichter.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 9/10 (1913/1914): 210-213. Rennert lobt den Film über alle Maßen, w...
O. Verf.. „Ein Kinematographengesetz in Württemberg.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 3/4 (1913/1914): 73. Jeder Film, der öffentlich vorgeführt werde, mü...