The general area of Ypres. Filmed from just outside the town itself, shells falling on buildings on the outskirts. Two Mark V tanks, one Male, one Female, both carrying soldiers, move over open countr...
The town is shown from a distance, then in close-up. The suburbs are burnt out and deserted. The main square is relatively undamaged. The collegiate church and the Church of Saint Martin show consider...
The canals running through the town are undamaged but the main girder bridge has been brought down. British soldiers of II Corps wait in the main square.Civilians watch while the British, of 40th Divi...
The map, in stop-frame action, shows the German invasion of France and Belgium in 1914, followed by a more detailed version of the Allied advance to victory between July and November 1918. The Allied ...
The body of Marshal Foch lies in state at the Invalides. King Albert of Belgium and then a crowd of people file past to pay their last respects. For the procession the streets are lined with soldiers....
(Reel 1) It is 1914 and the outbreak of the war. Mr Smith, a prosperous businessman, is starting to lose staff who have volunteered for the Army and he refuses women replacements. He also prevents his...
Medium shot of Thornycroft V Class destroyer steaming at speed. Medium long shot off port quarter of two battleships - the nearest is HMS Canada preceded by an Iron Duke flying a kite balloon. Long sh...
(Reel 1) Opening pan across fleet anchorage (note HMS Neptune). The King is seen onboard a succession of battleships, watching marchpasts of the crews - HMS Queen Elizabeth (Colossus Class in backgrou...
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...