Celebration of the centenary of the Belgian Red Cross.
The musical legacy of Queen Elisabeth of Belgium: the genesis of the annual Queen Elisabeth Music Competition.
The musical legacy of Queen Elisabeth of Belgium: the genesis of the annual Queen E...
1 - 28 giugno 1914:
2 - nella piazza di una città dell'Austria delle bambine vestite di bianco si esibiscono in un saggio di danza per celebrare la chiusura dell'anno scolastico
3 - la ...
The film dedicated to Czechoslovak legionnaires in the First World War begins with symbolic shots illustrating the outbreak of the war conflict - title Sarajevo, animated map of Europe afire and a det...
I. 9.2-inch coastal gun is reloaded.II. Medium shot of HMS Walker (G.08) steaming at speed in a slight sea. Medium close-up of a sailor of HMS Woolston, playing with a kitten.III. Long shot views of s...
The 'big battle' structure of the film opens with the preparatory bombardment for the days before the attack, the Infantry marching to their final positions, the attack itself, the casualties, prisone...
The King and Queen arrive in Calais to start the visit. The King inspects war trophies at Bailleul with General Sir Herbert Plumer, then goes on to watch a tank demonstration and talk with a group of ...
A column of men from 1st Balloon Company, in the Meuse or Moselle region, march through a village. British "8-inch Naval rifles" (in fact 6-inch Mk VII guns) being fired by gunners of 27th (New York) ...
The battle of Zborov: A group of soldiers during the assault.
The battle of Zborov: Soldiers overcoming barriers with barbed wires.
The battle of Zborov: Four soldiers run out a trench.
The battle of Zborov: A system of trenches with soldiers.
The battle of Zborov: Volunteers in the trench before the assault.
The battle of Zborov: Four Austrian soldiers in gasmasks.
The battle of Zborov: Four Austrian soldiers in the trench with gasmask cases around their necks.
The battle of Zborov: An injured soldier in the barbed wire barrier.
Horst Emscher, Der Film im Dienste der Politik, Der Kinematograph, 410, (1914), S. 15-16. Der Autor hebt hervor, dass die Kriegsführung auf publizistischer Ebene, mit der die Meinung des Auslands bee...
Edgar Költsch, Die Vorteile durch den Krieg für das Kinotheater, Der Kinematograph, 407, (1914), S. 11-12. Auch wenn es nicht so aussehe, habe das Kino durch den Krieg einen Aufschwung erlebt. Insbe...
Kritik aus Breslauer Zeitung (15.07.1917) zu Der Golem und die Tänzerin.
Monopolfilm-Vertriebs-GmbH..“Patriotisches Kriegs-Programm.“ Der Kinematograph 399 (1914): 5. Werbung für das aktuelle Filmprogramm der Monopolfilm GmbH.
Der Krieg auf der Ranch !, Der Kinematograph, 701 /02, (1920). Werbung für einen Western.
Das Wichtigste der Woche, Der Kinematograph, 670, (1919), S. 25-26. Seit dem 2.11.1919 gebe es in Berlin eine freiwillige Filmzensur. Die USPD habe im Reichstag den Antrag gemacht, die Kinos zu versta...