In 1968 Irmin Schmidt and Holger Czukay founded the band Can in Cologne, which cultivated an avant-garde style somewhere between free jazz and funk, krautrock and psychedelic rock, and also experiment...
Der New Yorker Musiker Robert scheint so etwas wie eine Pechsträhne zu haben: Künstlerisch steckt er in einer Schaffenskrise und materiell sieht es so finster aus, dass er sogar aus seiner Wohnung g...
The work of the Blood Transfusion Association in the Bathgate area, and an appeal to "become a regular donor".
One day, on the island of Lesbos, a shepherd by the name of Lamonas finds an abandoned little boy sucking milk from the teats of a goat. The shepherd calls the boy Dafnis and takes him as his own chil...
A romantic wee ballet, Highland Fling is Matthew Bourne’s take on the classic La Sylphide. It follows James, a young Scot with sex, love and rock and roll on his mind, and his fateful journey from t...
As indicated by the title, this is an obvious melodrama, where a beautiful rich girl (Miranda), departs from family norms and traditions by falling in love with a poor singer – obliging her to leave...
One day, on the island of Lesbos, a shepherd by the name of Lamonas finds an abandoned little boy sucking milk from the teats of a goat. The shepherd calls the boy Dafnis and takes him as his own chil...
"Above and Below" (2012-14)
Natasja Juul in "Near and Elsewhere" (2018)
Filmplakat
Irmin Schmidt in "Can and Me" (2022)
Filmplakat
Enrique Fissin "Near and Elsewhere" (2018)
Sangay Rinchen in "The Farmer and I" (2013-16)
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
Kriegsanleihe-Filme, Der Kinematograph, 563, (1917), S. 22. Ankündigung neuer Trickfilme zur Werbung für die Kriegsanleihe. Sie werden allesamt als sehr unterhaltsam und technisch gelungen beschrieb...
Daily call sheet for 02 July 1958 for the shooting of "Der Czardas-König (Die Emmerich-Kalman-Story)".
Daily call sheet for 06 August 1958 for the shooting of "Der Stern von Santa Clara".
Universum Filmverleih, Die Waffen nieder, Der Kinematograph, 620, (1918), S. 28-33.
DIF
Julius Sternheim, Propaganda-und Aufklärungsfilme, Der Kinematograph, 592, (1918), S. 12-14. Propagandafilme müssten maßgeblich eine Botschaft verfolgen, was sie oftmals zwangsläufig langatmig mac...