An experimental film in the form of a riddle by artist Gillian Steel.
Everyday life in the crofting community of Acharacle, Lochaber, in the 1950s.
In 1968 Irmin Schmidt and Holger Czukay founded the band Can in Cologne, which cultivated an avant-garde style somewhere between free jazz and funk, krautrock and psychedelic rock, and also experiment...
Der New Yorker Musiker Robert scheint so etwas wie eine Pechsträhne zu haben: Künstlerisch steckt er in einer Schaffenskrise und materiell sieht es so finster aus, dass er sogar aus seiner Wohnung g...
The year is 2019. In a world where money is everything and debt can get you the death sentence, the Jensen brothers, Bjarne and Jimmy, are feeling the squeeze. When they accidentally nab a wanted jewe...
Three young people have migrated from the Bolivian countryside in search for a better life. Gregorio and his wife have a small illegal sweatshop in Buenos Aires. His brother Florencio is an illegal mi...
Tante Tille bor på en lille gård på landet. Da hun en dag finder en forladt ræveunge, tager hun den med hjem og kalder den Mikkel. Tilles nabo, Orla Olsen, er jæger, og da han en dag finder en fo...
Super Birger is an animation for children about Birger and his phantom friend Super Birger. The film mixes real film and animation and deals with the small and big problems of children and what tricks...
Havenisserne Gnomeo og Julie må gå så grueligt meget igennem før de kan forene den blå og den røde have i fred og fordragelighed efter at have levet i nabokrig i årtier. Men kan det unge par fi...
Sangay Rinchen, Irja von Bernstorff in "The Farmer and I" (2013-16)
"And-Ek Ghes..." (2015/16)
German movie poster of "And-Ek Ghes..." (2015/16)
Szene aus "Lost and found"
Szene aus "Losers and Winners"
"And-Ek Ghes..." (2015/16)
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...