Various scenes of the village of Colinton from the early 1940s through to the mid 1950s.
Family Christmas from the mid 1960s.
A history of the Forth and Clyde Canal.
Laurel and Hardy visit Edinburgh in 1932, arriving at Waverley Station, going to the North British Hotel and finally, visiting the Castle.
A comedic tale set in the garden of the Thoms' family house, on a summer's day. A group of boys playing in the garden get into trouble with a pernickety neighbour but later redeem themselves by spott...
Sponsored by Glasgow Corporation Education Committee, this educational film introduces the chief tools used by the carpenter.
Tour of the Highlands and Islands in the late 1920s and early 1930s. Scenes include farming, fishing, mountain climbing, ships, and a brief shot of the 'talkies' being installed at Balmoral.
Overview of journey from Glasgow city centre to Rothesay and Largs on passenger steamer circa 1935.
German movie poster of "Can and Me" (2022)
Irja von Bernstorff in "The Farmer and I" (2013-16)
"Losers and Winners" (2006)
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Natasja Juul in "Near and Elsewhere" (2018)
Enrique Fiss in "Near and Elsewhere" (2018)
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...