The story of Romeo and Juliet is adapted to the Greek provinces, featuring the love between two people whose powerful families despise each other.

A Greek-style Western filmed on Mt. Parnitha under the technical guidance of Triantafyllis and Meravidis. The film was destroyed during processing.

Alexandros (Stefanos Iatridis) is madly in love with a woman (Anna-Maria Papacharalampous) and begins searching for her at sea with his boat. After many days of wandering, he finds a cave where he mee...

Thanasis (Thanasis Vengos) is called upon, during the Occupation, to testify at the trial of a taverna owner accused of serving cat meat to his customers. He too is accused of perjury and imprisoned w...

Loukas returns to Greece after being away for 10 years. He bumps into an old friend of his, Kimonas, a writer who is in a bad emotional state, and decides to take advantage of the situation. He takes ...

Lisa (Xenia Kalogeropoulou) runs away from her father at the Athens airport because she does not want to marry a rich man from Paris whom her father has chosen for her. She hitchhikes to the city, whe...

Grigoris (Kostas Voutsas), a shopkeeper from Katerini, wins first prize in a radio contest that covers his accommodation expenses for one week in Athens. When he arrives at the capital, the members of...

A girl sacrifices her own happiness when she finds out that the family of the man she loves is on the brink of financial disaster and they are contemplating marrying him off to a wealthy businessman's...

The introductory remarks on Czech Cinema refer to the following: the first steps in Czech and Slovakian cinema, names of studios, directors and titles of films, the Festival of Karlovy Vary, the Worke...

Critique presentation of the film with several references to specific scenes, but also to the way that Hitchcock employs to keep the suspense and to fabricate "the irresistible sex appeal of his heroi...

The years between the war and an old-fashioned atmosphere rendered by Fassbinder in collaboration with Stoppard, based on a novel by Nabokov. The critical review argues that Fassbinder reaches a “le...

The programme describes Kurosawa as a "moralist" who again gives his attention to the struggle between the good and bad, but seen from a "comic perspective, so that he can defy it". The famed director...

The presentation begins by referral to the attempt of the Film Archive to restore the film. It continues with the plot of the film – the heroic resistance of the Greeks against the German and Itali...

The programme for the screening of the film "Diary of a Country Priest", after details from the credits, mentions: "Women of the Bois de Boulogne” Racine, Georges Bernanos, the amateur actors, the o...

Credits (with a note that the film is based on Pierre La Mure's work). It says in the programme that the director's love for painting and the interesting thematic content of Pierre La Mure's book on ...

It presents elements of the scenario, based on The Abyss by Gorky, as well as Kurosawa’s cinematic technique of using multiple cameras to capture the same moment from different angles. The film was...

STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the front cover].

Monthly publication of cinematic art. Illustrated.

STILL ABOUT NIKOS PANAGIOTOPOULOS’ FILM “THE COLORS OF THE SPECTRUM” WITH THE FACTORS OF PRODUCTION AND THE PLOT. [photo of the front cover].

PRIVATE CONTRACT, SIGNED ON 15 FEBRUARY 1957, OF SPECIFIED DURATION BETWEEN N. STAVRIDIS AND S. CHATZOPOULOS, ACTING ON BEHALF OF CHATZ FILM. IT CONTAINS THE EMPLOYMENT TERMS, STIPULATED PAYMENT, CONT...

Weekly publication featuring a variety of topics on cinema. Page 461 is selected: "Save yourself from stage fright. The troubles of being on stage". 8th FORMAT

DECOUPAGE WITH DETAILED REFERENCE TO THE NUMBER OF SCENES, IMAGES AND SHOTS.

PLAYBILL OF THE “TIMES SQUARE THEATRE”, 20 APRIL 1924, ANNOUNCING THE FILMS THAT WILL BE SHOWN. IT INCLUDES MANY PHOTOS FROM THE GREEK FILM “THE GIPSY WOMAN FROM ATHENS”.

STILL ABOUT VASILIS GEORGIADIS’ “THE SACRIFICE”: THE FACTORS OF PRODUCTION, CAST AND PLOT IN ENGLISH AND FRENCH.