A documentary about religious rituals related to the passion of Christ as they are portrayed in different but similar ways in countries around the Mediterranean.

A group of ELAS (Greek People’s Liberation Army) partisans undertake a very dangerous mission. Among its members are experienced demolition experts, such as private Memos and captain Angelos, who is...

Two friends (Takis Moschos and Minas Chatzisavvas) live together in the house which was turned over to them by a third friend (Thanasis Mylonas). They follow a peculiar rhythm of life, spending their ...

Andreas Galanis’ return to his island awakens hatreds and passions from the past. The poor inhabitants of the mountain village Agrilia make their living through logging and every day face the abuse ...

Journalists Dimitris and Christina (Lampros Konstantaras and Maro Kontou) are a married couple who regularly quarrel, chiefly because Christina keeps referring to an old love affair with a man named S...

A literature professor gets a job at a high school famous for its untamed students and suffers from their pranks. When he falls in love with one of his students, however, he reveals another side of hi...

Theophilos Chatzimichail (Dimitris Kataleifos), the legendary painter from Lesbos, drops western garb and begins to wear the traditional Greek outfit. He often dresses like the national heroes he pain...

A prisoner of war who has escaped from Albania claims to be a Greek Army Major named Alexandros Vergis. This causes great confusion in the army, since Vergis had escaped a year earlier and now works f...

A black-and-white photographic portrait of Irene Papas in the homonymous role of Antigoni appears in the middle of the poster. She wears a white headdress and looks towards the spectator. The photogra...

The programme for the screening of the film " The Southerner" first provides information from the credits and then talks about Renoir’s career in America. After, it gives the plot and comments on th...

Programme for the PANTHEON Cinema. The cinema's distinctive logo set in artwork, a notice that it is the official movie theatre for AMERICAN FILM and information in English about the management of the...

The program informs us that this movie, which was shot in the pre-election campaign of 1981 in three villages of Aitoloakarnania, constitutes “a documentarized trial of the evolving process of polit...

The notes begin with a reference to the movement of neo-realism and the classic films that represent it, comparing “ROME, OPEN CITY” with “PAISA”, a film that was its sequel. “If ROME, OPEN ...

The programme announces the screening of the film " The Night of San Juan" with an introduction by Assistant Professor of Sociology V. Filia, announcing the screenings within the framework of the Trib...

The program, which is signed by Aglaїa Mītropoulou, acknowledges the fact that the filmmaker took the side of lost and outcast people, as the leading character drummer and his friends are. It emphas...

This short documentary presents the “first international record of the pre-electoral procedure in a whole region” (Kavala prefecture). The filmmaker by “connecting the elections with the politic...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS