A documentary about religious rituals related to the passion of Christ as they are portrayed in different but similar ways in countries around the Mediterranean.
A group of ELAS (Greek People’s Liberation Army) partisans undertake a very dangerous mission. Among its members are experienced demolition experts, such as private Memos and captain Angelos, who is...
Two friends (Takis Moschos and Minas Chatzisavvas) live together in the house which was turned over to them by a third friend (Thanasis Mylonas). They follow a peculiar rhythm of life, spending their ...
Andreas Galanis’ return to his island awakens hatreds and passions from the past. The poor inhabitants of the mountain village Agrilia make their living through logging and every day face the abuse ...
Journalists Dimitris and Christina (Lampros Konstantaras and Maro Kontou) are a married couple who regularly quarrel, chiefly because Christina keeps referring to an old love affair with a man named S...
A literature professor gets a job at a high school famous for its untamed students and suffers from their pranks. When he falls in love with one of his students, however, he reveals another side of hi...
Theophilos Chatzimichail (Dimitris Kataleifos), the legendary painter from Lesbos, drops western garb and begins to wear the traditional Greek outfit. He often dresses like the national heroes he pain...
A prisoner of war who has escaped from Albania claims to be a Greek Army Major named Alexandros Vergis. This causes great confusion in the army, since Vergis had escaped a year earlier and now works f...
Short critical review of the film. It considers Sam Peckinpah as the heir to Ford and refers to his thoughts on violence on television and in films respectively.
Programme of the cinema club of Pyrgos, a division of the Hellenic Film Archives. This is a programme for the series: “FROM THE FIRST COMEDIES TO THE DRAMA OF CALVERO” (The life and work of Char...
The presentations starts with the association of the director with the musical genre and light opera in Hollywood. The German Lubitsch "was proven to be the greatest of the time" with his distinct hum...
The programme for the screening of the film "Pierrot Goes Wild (Pierrot le Fou)", after details from the credits, mentions: best lines of S. Fuller, R. Coutard, the gangster element and the Vietnam w...
The programme for the film "Made in USA" says that the Film Club has shown almost all of Jean-Luc Godard's films and lists their titles. It includes the credits and comments on the film. Finally, it r...
On the cover of the programme for the tribute to Greek Cinema there is the design for a phenakistoscope (“spindle viewer”), titles of the films and their directors. Inside it refers to each film i...
The "WEEK END", Jean-Luc Godard’s last film ("Pierrot goes Wild ", "La Chinoise", "Alphaville") before embarking on a form of directly political and revolutionary cinema that has nothing to do with...
The text on American Independent Filmmakers mentions: new trends, the underground, directors with artistic aspirations, documentary filmmakers, directors whose subject fail to attract interest, amateu...
STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the front cover].
Monthly publication of cinematic art. Illustrated.
STILL ABOUT NIKOS PANAGIOTOPOULOS’ FILM “THE COLORS OF THE SPECTRUM” WITH THE FACTORS OF PRODUCTION AND THE PLOT. [photo of the front cover].
PRIVATE CONTRACT, SIGNED ON 15 FEBRUARY 1957, OF SPECIFIED DURATION BETWEEN N. STAVRIDIS AND S. CHATZOPOULOS, ACTING ON BEHALF OF CHATZ FILM. IT CONTAINS THE EMPLOYMENT TERMS, STIPULATED PAYMENT, CONT...
Weekly publication featuring a variety of topics on cinema. Page 461 is selected: "Save yourself from stage fright. The troubles of being on stage". 8th FORMAT
DECOUPAGE WITH DETAILED REFERENCE TO THE NUMBER OF SCENES, IMAGES AND SHOTS.
PLAYBILL OF THE “TIMES SQUARE THEATRE”, 20 APRIL 1924, ANNOUNCING THE FILMS THAT WILL BE SHOWN. IT INCLUDES MANY PHOTOS FROM THE GREEK FILM “THE GIPSY WOMAN FROM ATHENS”.
STILL ABOUT VASILIS GEORGIADIS’ “THE SACRIFICE”: THE FACTORS OF PRODUCTION, CAST AND PLOT IN ENGLISH AND FRENCH.