Stavros (Stavros Paravas) finishes his military service, rents a small room at the house of Mrs. Olympia (Marika Nezer) and, with the help of a friend of his (Giorgos Papazisis), finds a job. Stavros,...
The historic collapse of paganism, and the Christianity that emerged as its successor, is the theme of the film in question. An enclosed and circular décor – that comprises a direct reference to th...
Miss Avra (Sapfo Notara) has a tenant named Petros (Giorgos Pantzas), who decides to write the biography of colonel Kolaris (Alekos Leivaditis) on the recommendation of his friend Aris (Giannis Vogiat...
This experimental film plays with the representation and alternative views related to metaphors for the passage of time, while also functioning as a study on the origin and nature of images. The artis...
A retired General and old-fashioned father, Charilaos (Orestis Makris), has four daughters: Eleni (Gelly Mavropoulou), Katina (Tzeni Karezi), Maria (Margarita Papageorgiou) and Angeliki (Niki Papadato...
A very rich man, Tony (Kostas Chatzichristos) is in love with a poor girl (Beata Asimakopoulou) and wants to marry her despite his father’s objections (Christos Tsaganeas). The girl’s brother (Mim...
Two crooks spend their time stealing, murdering and having love affairs, until the police catch and arrest them.
The program includes only the work and biographical information of H.J. Syberberg.
The programme for the Week of Short Greek Films gives a catalogue of the films with details from the credits and reviews.
A simple account of the plot highlights the key features of the film and provides information about Bergman's filmography. There are reflections on death, agony and hope that lead to the conclusion th...
The programme for the retrospective of the French Cinema announces the lecture of Michel Decaudin, invited by the Film Club to speak about surrealistic cinema. The programme includes the credits and m...
The program initially presents the life and work of F. Lang, who is one of the greatest personalities of the world cinema. It refers to his travel to America, where, despite his concession to the conf...
Credits The programme contains biographical notes on the director and relays the important news item that Visconti had a stroke during the shooting of the film and will stay half-paralysed. It descri...
The IRIS Cinema program, 27-29 November. On the front cover, the films now showing: “IRIS, the society cinema. Akadimias and Ippokratous street. Today 1) Boxing match, 2) Do not make me a promise. (...
The programme of screenings for February 1989 announces the tribute to Marlon Brando and classic choices by the members of the association. Aglaia Mitropoulou’s introduction on Brando refers to: the...
Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.
GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.
PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS