Stavros (Stavros Paravas) finishes his military service, rents a small room at the house of Mrs. Olympia (Marika Nezer) and, with the help of a friend of his (Giorgos Papazisis), finds a job. Stavros,...
The historic collapse of paganism, and the Christianity that emerged as its successor, is the theme of the film in question. An enclosed and circular décor – that comprises a direct reference to th...
Miss Avra (Sapfo Notara) has a tenant named Petros (Giorgos Pantzas), who decides to write the biography of colonel Kolaris (Alekos Leivaditis) on the recommendation of his friend Aris (Giannis Vogiat...
This experimental film plays with the representation and alternative views related to metaphors for the passage of time, while also functioning as a study on the origin and nature of images. The artis...
A retired General and old-fashioned father, Charilaos (Orestis Makris), has four daughters: Eleni (Gelly Mavropoulou), Katina (Tzeni Karezi), Maria (Margarita Papageorgiou) and Angeliki (Niki Papadato...
A very rich man, Tony (Kostas Chatzichristos) is in love with a poor girl (Beata Asimakopoulou) and wants to marry her despite his father’s objections (Christos Tsaganeas). The girl’s brother (Mim...
Two crooks spend their time stealing, murdering and having love affairs, until the police catch and arrest them.
The programme is entitled "The Wealth of the German Cinema" and is a comprehensive encyclopaedic essay on the classical German cinema. The Greek Film Archive Foundation proudly presents a rare copy of...
Richard Brooks' romantic love melodrama « THE LAST TIME I SAW PARIS" was a huge success in the '50s. It is based on Scott Fitzgerald's book "ΒΑΒΥLON REVISITED" and is about a writer's love for a ...
The programme for January – April 1997 announces the following cinematic tributes (beginning with a brief introduction, followed by titles of the films and details from the credits). - Marcello Mas...
The SPLENDID Cinema program. On the front cover: “The SPLENDID cinema, ‘ASTERO’”, followed by the film synopsis.
According to the programme, Giannini, “transferring to the big screen his theatrical success, aspired, with this film, to give to the new kind of Dance-Musical-Fantasy, which was tried right after W...
The presentation, signed by Mona Mitropoulou, begins with reference to the history and the time environment of the film: We are in (1934-5), that is the time of dominion of the German cinema, followin...
The program mentions the divided reception of the film by the public and the characterization given by the filmmaker himself as “a requiem to the unification with Greece”. The presentation also a...
STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the front cover].
Monthly publication of cinematic art. Illustrated.
STILL ABOUT NIKOS PANAGIOTOPOULOS’ FILM “THE COLORS OF THE SPECTRUM” WITH THE FACTORS OF PRODUCTION AND THE PLOT. [photo of the front cover].
PRIVATE CONTRACT, SIGNED ON 15 FEBRUARY 1957, OF SPECIFIED DURATION BETWEEN N. STAVRIDIS AND S. CHATZOPOULOS, ACTING ON BEHALF OF CHATZ FILM. IT CONTAINS THE EMPLOYMENT TERMS, STIPULATED PAYMENT, CONT...
Weekly publication featuring a variety of topics on cinema. Page 461 is selected: "Save yourself from stage fright. The troubles of being on stage". 8th FORMAT
DECOUPAGE WITH DETAILED REFERENCE TO THE NUMBER OF SCENES, IMAGES AND SHOTS.
PLAYBILL OF THE “TIMES SQUARE THEATRE”, 20 APRIL 1924, ANNOUNCING THE FILMS THAT WILL BE SHOWN. IT INCLUDES MANY PHOTOS FROM THE GREEK FILM “THE GIPSY WOMAN FROM ATHENS”.
STILL ABOUT VASILIS GEORGIADIS’ “THE SACRIFICE”: THE FACTORS OF PRODUCTION, CAST AND PLOT IN ENGLISH AND FRENCH.