Fotis (Vasilis Logothetidis) has been engaged to Mary (Dina Stathatou) for 20 years and is still working hard to make enough money in order to marry her. When his mother (Smaro Stefanidou) becomes ill...
In Constantinople, an Athenian painter (Panos Toulatos) meets a girl from Smyrna (Anna Iasonidou) and begins a romance. They live for a while on the Bosphorus, but when they decide to go to Athens, t...
A musical film with elements of a detective thriller, which was left unfinished by its director Theodoros Angelopoulos. The members of the famous band from the 1960s, the Forminx, try to find the woma...
A crippled pimp named Johnny Keln (Christos Tsagkas) brings prostitute Mitsi (Tatiana Lygari) and her daughter Sonia (Maria Baketea) to Athens. His old friends think he’s a washout, and he faces con...
A mother with her daughter travel to Alexandria, where the former grew up. The trip brings back memories, but it also reveals unpleasant facts that change the lives of the two women and bring them clo...
Thymios (Kostas Chatzichristos) comes to Athens, and, trying to put his life in order, he gets involved in various situations. The question “who will pay for the marble?” is related to the problem...
A beautiful Athenian lady (Lida Miranta), who spends the summer in Hydra, falls in love with a fisherman (Lampros Konstantaras) and “steals him” from his girlfriend (Evgenia Danika) to turn him in...
A young woman who is married to a wealthy man has affairs with a number of men but ends up alone. The only one who stands by her side is her husband’s loyal friend and assistant, who truly loves her...
The programme for the film "Summer with Monika" includes a comment by Jean-Luc Godard for the great Swedish director, which highlights his singular style, noted for finesse and sensitivity; the philos...
Programme for the ORPHEUS Cinema. The name of the cinema is set in artwork on the front page. The cinema address, the film, "EASTERN PERIPHERY", directed by Vasilis Vafeas, full credits and the synop...
An unsigned pictorial composition created by an anonymous artist, featuring a hero of the Greek Revolution, who emerges on the upper part of the poster, holding a sword in his right hand and a banner ...
“Subtlety and sentiment” this short review characteristically states. A few words on the film and on the director’s need, in his maturity, to express his Greek soul.
The programme for the screening of the film "Spencer's Mountain", after details from the credits, mentions: the subject of life in the countryside, the plot, Henry Fonda and the photographer Charles L...
The programme for the screening of the film "The Struggle", after details from the credits, mentions: the film’s awards, the Group of Six, the anti-dictatorial struggle and 15 mm film, composition o...
Credits It says in the programme that Tennessee Williams' big stage hit "Cat on a Hot Tin Roof" was "masterly" adapted for the screen by R. Brooks under the title Cat On Α Hot Tin Roof. There is an ...
General thoughts about the genre of movie biography. Reference to Visconti's "Death in Venice" to cross over to Mahller by Russel that "has his own astonishing way of presenting the dream of music whi...
Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.
GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.
PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS