An ex-teacher by the name of Alexis Vergis agrees to give private lessons to the young son of a wealthy family. He soon realizes that the actual reason the family hired him is to help Anna, the sister...

Thalia, the daughter of a penny-pinching grocer, Pythagoras, is in love with Petros and refuses to marry the stupid Lakis, to whom her father has betrothed her. Lakis is the son of the nouveau-rich Mr...

Police ieutenant Giorgos Merkos is so overworked that he never finds time to meet the relatives of his girlfriend Anna. Instead of going over to her place, he prefers to arrest a criminal and to go to...

A young man and a girl (Dimitris Papamichail and Antigoni Valakou) work (temporarily, they claim) in a company that sells bobbins and thread. Each of them dreams of a better job and of a successful ma...

An orphan girl (Aliki Vougiouklaki) does everything she can to be hired as a secretary at the firm of a businessman (Dimitris Papamichail). When she manages to do so, she tries to win his heart and fi...

On her engagement day, a woman, Anna (Jenny Karezi), loses her fiancé (Kostas Kazakos), her father and her brother when they all go to fight against the Italians. Her family suffers a blow when the G...

A violinist, Lefteris, is constantly running around on account of his work - from the Symphonic Orchestra to the Church. One Sunday, an incident caused by the competition between two churches sends hi...

A barber (Filios Filippidis) undertakes both the housework and the care of the baby, since his wife works as a singer in nightclubs and is constantly busy. His hardships move the wife of the neighborh...

The introductory remarks on Czech Cinema refer to the following: the first steps in Czech and Slovakian cinema, names of studios, directors and titles of films, the Festival of Karlovy Vary, the Worke...

Critique presentation of the film with several references to specific scenes, but also to the way that Hitchcock employs to keep the suspense and to fabricate "the irresistible sex appeal of his heroi...

The years between the war and an old-fashioned atmosphere rendered by Fassbinder in collaboration with Stoppard, based on a novel by Nabokov. The critical review argues that Fassbinder reaches a “le...

The programme describes Kurosawa as a "moralist" who again gives his attention to the struggle between the good and bad, but seen from a "comic perspective, so that he can defy it". The famed director...

The presentation begins by referral to the attempt of the Film Archive to restore the film. It continues with the plot of the film – the heroic resistance of the Greeks against the German and Itali...

The programme for the screening of the film "Diary of a Country Priest", after details from the credits, mentions: "Women of the Bois de Boulogne” Racine, Georges Bernanos, the amateur actors, the o...

Credits (with a note that the film is based on Pierre La Mure's work). It says in the programme that the director's love for painting and the interesting thematic content of Pierre La Mure's book on ...

It presents elements of the scenario, based on The Abyss by Gorky, as well as Kurosawa’s cinematic technique of using multiple cameras to capture the same moment from different angles. The film was...

STILL ABOUT THE FILM “LYSSISTRATA” IN ENGLISH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.

SMALL ADVERTISING POSTER OF GREGG TALLAS’ “AGIOUPA”, INDICATING THE FILMING CREW AND CAST

Research and critic on cinematography. Selected from the Contents: page 5, the article by K. Ouranis, "Poetry and Cinema"

Weekly publication featuring a variety of topics on cinema. Page 205 is selected: "For you ladies. Norma Talmadge talking. The secret of charm". 8th FORMAT.

OFFICIAL PUBLICATION OF THE GREEK CLUB OF AMATEURS CINEMATOGRAPHERS.ILLUSTRATED.

Monthly Cinematic Magazine.

Weekly publication featuring a variety of topics on cinema. Page 407 is selected: "The cinema in Athens. The progrss made within few years". 8th FORMAT.

MODEL OF “PISSANOS” FOR THE PRESENTATION OF THE FILM “VIEWS OF GREECE. A TOUR OF THE PELOPONNESE”. THE TEXT AND CONTRIBUTORS ARE SET AGAINST A RED BACKGROUND. A CYCLIST IS PORTRAYED AT THE BOT...