To support his mother and sister (Eleni Zafeiriou and Martha Vourtsi), Michalis (Kostas Kazakos) works as a porter in the harbor of Piraeus. A poor young man (Nikos Xanthopoulos) falls in love with hi...

A young man wanders carefree through the streets of Athens with his girlfriend. He is informed about the death of a friend and goes to his funeral. After the burial ceremony, he continues wandering, b...

A former mechanic in the merchant marine, Artemis, who was unjustly accused of stealing money from the ship he worked on –for which he served many years in prison – now works as a lighthouse-keepe...

This is a dramatized documentary about the life of the lepers in the leper colony at Spinalonga. Love and emotional affairs, ideological and ethical conflicts take place, whose protagonists are the pa...

The sister of a Greek Cypriot patriot is in love with a Turkish Cypriot. When the first clashes between Greek Cypriots and their British colonial masters begin, the Turkish Cypriots remain on the side...

A charming young man, Larry, after the completion of his studies abroad, returns to Greece and stays with his father Alexis, a painter, and his father’s young girlfriend, Julia. The sensual woman is...

This film is based on the true story of Nikos Koemtzis, who, after an incident he provoked in a nightclub featuring popular Greek music in 1972, became known as the representative hot-blooded popular ...

This films tells four different stories, all connected by the banks of the river. Three bandits steal a cross and, while trying to cross the river, one of them (Titos Vandis) gets lost along with the ...

Short critical review of the film. It considers Sam Peckinpah as the heir to Ford and refers to his thoughts on violence on television and in films respectively.

Programme of the cinema club of Pyrgos, a division of the Hellenic Film Archives. This is a programme for the series: “FROM THE FIRST COMEDIES TO THE DRAMA OF CALVERO” (The life and work of Char...

The presentations starts with the association of the director with the musical genre and light opera in Hollywood. The German Lubitsch "was proven to be the greatest of the time" with his distinct hum...

The programme for the screening of the film "Pierrot Goes Wild (Pierrot le Fou)", after details from the credits, mentions: best lines of S. Fuller, R. Coutard, the gangster element and the Vietnam w...

The programme for the film "Made in USA" says that the Film Club has shown almost all of Jean-Luc Godard's films and lists their titles. It includes the credits and comments on the film. Finally, it r...

On the cover of the programme for the tribute to Greek Cinema there is the design for a phenakistoscope (“spindle viewer”), titles of the films and their directors. Inside it refers to each film i...

The "WEEK END", Jean-Luc Godard’s last film ("Pierrot goes Wild ", "La Chinoise", "Alphaville") before embarking on a form of directly political and revolutionary cinema that has nothing to do with...

The text on American Independent Filmmakers mentions: new trends, the underground, directors with artistic aspirations, documentary filmmakers, directors whose subject fail to attract interest, amateu...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS