A film adaptation of the theatrical play of the same name which caused an uproar. As a result of its highly controversial nature, the writer and director were sent many times to the dock, and the pl...
A German navy officer (Kostas Karras) and his Greek friend (Kostas Prekas), who is also a navy officer, find themselves on opposite fronts at the beginning of WW2. Apart from being enemies on a nation...
A photographer (Giota Festa) tries to raise her five-year-old daughter on her own, when a young man (Dimitris Alexandris) comes into her life, and romance grows between them. A friend of hers urges he...
A Gypsy woman manages to overcome the obstacles facing her due to her race and wins her life and the man she loves.
A doctor (Petros Fysoun) is charged with molesting a medical student (Anny Paspati). During the trial, the doctor refuses to defend himself. When his advocate (Eleni Filini) investigates the case, she...
A documentary that attempts a critical examination of the national problem of Cyprus and the struggle of its people. It focuses on the events of 1974 and their painful consequences: the Turkish invasi...
Alexis and his three friends, with the assistance of an Asian singer, rob a poultry slaughter house and accidentally kill the owner (Vangelis Kazan). Alexis and the singer escape to the mountains, but...
A short documentary about the theatrical performance of Aeschylus’ “Prometheus Bound”, which was presented at the Delphic Festivals. The first record of Angelos Sikelianos’ efforts to present ...
The program includes only the work and biographical information of H.J. Syberberg.
The programme for the Week of Short Greek Films gives a catalogue of the films with details from the credits and reviews.
A simple account of the plot highlights the key features of the film and provides information about Bergman's filmography. There are reflections on death, agony and hope that lead to the conclusion th...
The programme for the retrospective of the French Cinema announces the lecture of Michel Decaudin, invited by the Film Club to speak about surrealistic cinema. The programme includes the credits and m...
The program initially presents the life and work of F. Lang, who is one of the greatest personalities of the world cinema. It refers to his travel to America, where, despite his concession to the conf...
Credits The programme contains biographical notes on the director and relays the important news item that Visconti had a stroke during the shooting of the film and will stay half-paralysed. It descri...
The IRIS Cinema program, 27-29 November. On the front cover, the films now showing: “IRIS, the society cinema. Akadimias and Ippokratous street. Today 1) Boxing match, 2) Do not make me a promise. (...
The programme of screenings for February 1989 announces the tribute to Marlon Brando and classic choices by the members of the association. Aglaia Mitropoulou’s introduction on Brando refers to: the...
Cinematic Magazine of the Association for the Development of the Cinema in Greece.
K. CHRISTOMANOS’ “NEA SKINI” THEATER PROGRAM ABOUT GOLDONI’S “LA LOCANDIERA” WITH A PHOTO OF THE ACTRESS ALEXANDRA VRATSANOU.
PROFESSIONAL CINEMATIC PUBLICATION. Illustrated, containing many advertisments.
Periodical published by the Pan-hellenic Union of Film Industry Employees addressing employment issues in the sector. The article on the “history of the cinema in Greece” on page 16, part 4, is mo...
MODEL OF “PISSANOS” FOR THE PRESENTATION OF “VIEWS OF GREECE. A TOUR OF THE PELOPONNESE”. THE BLUE AND RED TITLE IS SET AGAINST A YELLOW BACKGROUND. A CYCLIST IS PORTRAYED AT THE EDGE. PAINTIN...
STORY BOARD – ROUGH DRAWING WITH TRAVELING (MOVIE CAMERA MOVEMENT), LONG SHOTS AND CLOSE-UPS. MANUSCRIPT.
MANOS HATZIDAKIS’ TYPED LETTER TO THE FILM FESTIVAL SECRETARIAT: “PREFACE TO DOUSSAN MAKAVEYEV’S FILM “SWEET MOVIE” WITH COMMENTS ON THE LIFE AND WORK OF THE FOREIGN DIRECTOR WHOSE FILM HE C...
D. KALAPOTHAKIS’ LETTER [MINISTRY OF FOREIGN AFFAIRS, THE PRESS DEPARTMENT] TO CAMERAMAN JOSEPH HEPP, 1919, ABOUT THE TITLES OF THE FILM ON WESTERN THRACE.