In Turkish occupied Greece in the 18th century, Menousis (Giannis Voglis), after the Turks have killed his wife and child, decides to climb the mountains and, along with the bandits, fight for the lib...

A shepherd gets his girlfriend pregnant, but she decides to have an abortion. The man leaves the countryside and goes to Thessaloniki, where he hangs out with the marginalized and the desperately poor...

A rich young man falls in love with a poor (as usual) working girl, but his father’s objections keep him from developing their relationship. The girl goes off for a period of time and gives birth to...

Achilleas (Stathis Psaltis), desperately seeking work, pretends to be his own twin sister at the school for traffic wardens. In the meantime, he is also working as a builder for a rich man (Mimis Fot...

A computer programmer (Alexandra Vantsi) is facing a period full of stress and crises in her professional career and in her private life with her husband (Antonis Theodorakopoulos). During a stroll th...

A film adaptation of the play by the same name – one of the most popular plays in modern Greek theater – written by one of the most important authors of the Interwar period, Dimitris Bogris. It is...

Giannis (Alekos Alexandrakis) pretends to be the lost son of the Mavroleontos family. The mother (Vaso Metaxa) is happy with the return of her son. Her daughter Liana (Zoe Laskari) is also happy, and ...

Spyros (Manos Katrakis), a political refugee, returns to his homeland in his old age after many years in exile. His return is thorny, as even his wife (Ntora Volanaki) is like a stranger to him. Spyro...

Generic with a list of movies from which the extracts included in the specific movie have been isolated, a stitching together of images about the "vamps" of the global motion pictures. Dozens of names...

The programme for The Ark of Cinema announces a celebration screening of restored films with musical accompaniment by Ch. Zerbinos and Val. Beikof. The notes by G. Veltsos refer to internal and extern...

The film is characterized as the "leading moment of romantic love on the American screen” and a reference is made to the novel that inspired the script. Vivian Leigh (fragile, affecting) and Robert ...

Programme for the IRIS Cinema Front page: 1. Τhe name of the cinema and the comment "The elegant cinema for a high-class audience", 2. "COLOURFUL, CRAZY SYMPHONIES" 3. "ONE WOMAN ONE THRONE", star...

The presentation starts by giving a brief comment about the film by Francois Truffaut. The program informs us that this is the first theatrical feature film by B. Dubois, with the quite paradoxical s...

Thoughts about the post-neo-realistic period of Italian cinema. Singles out Petri among the "masters" of the time with the black corrosive humor". The cast of actors is found to be wonderful.

The program is mainly dedicated to the course and personality of Jane Fonda with a few words about her co-star and the 'unbelievable story' of love in a student 'Boot Camp'.

The program starts with information about the “first social movie” (silent movie) “with realistic subject about the working class”. Presentation of the film plot which has as the central chara...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS