Work stands for security, self-esteem and existential meaning. Yet it is also a fetish, a mantra which constantly surrounds us via politics and the media. In his film, director Konstantin Faigle explo...
Spot Nr. 1 (00:34): POLAR Rum 68/1: A person dressed in fur jacket in snow flurry. „Winter time, polar time, grog time - time for Polar.“ The person is serving grog with Polar Rum. A elegantly dre...
In der Reihe 'Lecture & Film: Ernst Lubitsch' hielt Filmrestauratorin Anke Wilkening am 17. November 2016 im Kino des Deutschen Filmmuseums, Frankfurt den Vortrag "Probleme der Überlieferung. Zur Res...
Spot Nr. 1 (00:36): SIEMENS BILDMEISTER "Farbtreu Fernsehen": „Experience the world in color. True-color television with Siemens.“ Logo with rainbow-colored circle arranged as a mobile. Demonstrat...
Spot Nr. 1 (00:36): Medizin in Maschen: Cartoon: A rabbit knits the title „Medicine in stitches“ from the fur of another. Live action: A white negligee floats in the air. Presentation of the mater...
Spot Nr. 1 (00:37): Adler (Nr. 1 musikalisch): A man at supper in a room asks, „Are you musical? Then why don't you sing along?“ He sings, with accordion accompaniment from off-camera, „Adler ch...
Spot Nr. 1 (00:36): SIEMENS / Bildmeister "Jahreszeiten": On the screen of a TV set, first text: „Evening after evening, year after year after year, color TV sets Siemens Bildmeister.“ Color pictu...
Spot Nr. 1 (00:36): NSU (Nr. 1 Beschleunigung in der Stadt): Drawing: cars waiting at traffic lights. „The traffic light fascinates the masses. We wait quietly and calmly. And whizzed away at the gr...
German movie poster of "Wendy - Der Film" (2016/17)
Katrin Wichmann, Laura Tonke (top to bottom) in "Zwei im falschen Film" (2017)
Otto Waalkes in "Otto - Der Film" (1985)
Das Neue Film-Programm
Bjarne Mädel (front left) in "Stromberg - Der Film" (2013/14)
Marc Hosemann, Rolf Becker, Christine Schorn, Laura Tonke (left to right) in "Zwei im falschen Film" (2017)
Henriette Morawe (third from the right) in "Wendy - Der Film" (2016/17)
Szene mit John Barron (Mitte)
Daily call sheet for 30 July 1959 for the shooting of "Du bist wunderbar".
Daily production report No. 3, 21 November 1957 on the shooting of "...und abends in die Scala".
Daily production report No. 13, 19 October 1956 on the shooting of "Die Letzten werden die Ersten sein".
Daily production report No. 37, 02 July 1958 on the shooting of "Der Czardas-König (Die Emmerich-Kalman-Story)" in Kübelstraße, Berlin-Spandau, Villa Lemm, Berlin-Gatow.
Daily production report No. 24, 08 November 1961 on the shooting of "Auf Wiedersehn".
Daily production report No. 8, 27 November 1961 on the shooting of "Das Geheimnis der schwarzen Koffer".
Scene sequence for "The Rats".
Scene report for "Münchhausen in Afrika", 12 March 1958.