Three hours before leaving for his holiday, Björn discovers that his passport has expired. He races to the authorities where an odyssey begins that turns his life completely upside down.
A novelty in signalling, but one that quickly disappeared again. When Frans Terstappen had just deciphered the rabbit signal alphabet, the rabbits stopped using this means of communication. It had tur...
A fast-paced parody of hospital series. An organ left over after an operation causes turbulence in the hospital routine.
A family of musicians in the Allgäu region of Germany discovered that their cactus showed unusual twists and turns from time to time. A time-lapse recording with a Super-8 camera solved the mystery. ...
Henry and Nick, two small hoodlums who would like to be tough guys, are supposed to receive drugs from the Colombian Maria. She swallowed the drugs and smuggled them across the border. After the deal,...
A cartographic problem that arose when the German-German border was to be erased. "The Border" provides an interesting explanation of an ancient German problem; which, although it has long since been ...
A visit and its consequences, which relate to a change in the way we view nature. Episode from "The Porcelain Shop. Part 2"
Dramatic love story from the perspective of a common housefly. Freely adapted from Edmond Rostand ("Cyrano von Bergerac").
"Der illegale Film" (2018)
Sissy Kelling, Frank Meyer-Brockmann
Szene mit Hans Söhnker, Hildegard Knef, Fritz Odemar, Willy Fritsch (v.l.n.r.)
Christoph Maria Herbst in "Stromberg - Der Film" (2013/14)
Michael Herbig (front) in "Bullyparade - Der Film" (2016/17)
Stefanie Achatz, Walter Schuster, Marion Freundorfer (left to right) "Wir drehen keinen Film" (2018)
German movie poster of "Otto - Der Film" (1985)
Christoph Maria Herbst, Bjarne Mädel (front from left to right) in "Stromberg - Der Film" (2013/14)
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...
Vertrag CCC-Film
Jean Th. Lommen, Film- und Kinoschund, Der Kinematograph, 690/91, (1920), S. 35-41. Die Presse äußere sich vor allem negativ über den Film. Die Kritik der Kinogegner richte sich vor allem gegen Kri...
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.
O.Th. Stein, Ausländerei im Film, Film und Lichtbild, 4, (1914), S. 50-52. Der Artikel beklagt die herausragende Stellung französischer Firmen, auch bei der Erstellung von Aufnahmen, die deutsche Na...
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...
Der ausländische Film in Deutschland, Der Kinematograph, 627, (1919), S. 7-8. Prognose, dass zwar der Anteil ausländischer Filme in Deutschland zwangsläufig wieder höher werde, aber nie wieder ein...