The hospital is of prefabricated buildings, signposted as the "Hôpital Benevole I Bis". The film captions emphasise that all the employees are women, some of whom are seen walking in the snow outside...
I. (Reel 1) Anglo-American boxing tournament organised by the Grand Fleet. Panning medium shot across crowds of ratings assembled on quayside around raised boxing ring - two men are fighting. US flags...
The day is wet and blustery. Lord Weir walks with a senior RAF officer as an escort past the waiting crowd of civilians and stands at the saluting base on Saint Leonards' sea front in Sea Road, opposi...
The Torpedo Dropping School was used to train pilots before they were attached to their squadrons. A stretch of hard sand on the beach at Belhaven Sands is used as a runway. An 18-inch torpedo is fitt...
(Missing is an opening sequence showing the tearing up of the treaty guaranteeing Belgian neutrality.) 'Martyred Belgium' is the title introducing 'scene 2'. Britannia posed beside the figure of 'Belg...
(Reel 1) The film comes from two cameras. For the exterior scenes of delegates arriving at the Foreign Office the first camera is positioned low on the steps beside which the official cars stop. Few o...
First, the seaplane carrier. A Short 184 seaplane is lifted from a seaplane carrier into the water and takes off. On return it is hoisted on board again. Then the launch from a capital ship. A Beardmo...
Uses of flying boats in the war, starting with a Felixstowe flying boat coming in to land at its base, probably Hamble, followed by a rare CE1 flying boat also landing. The main subject of the film is...
"Tabaluga - Der Film" (2018)
Szene aus "Alf - Der Film"
Screenshot from "Wiesbaden im Film"
"Tabaluga - Der Film" (2018)
Szene mit Ray Walston (links)
Biggy van Blond, Ades Zabel (v.l.n.r.)
German movie poster of "Der geflüsterte Film" (1992/93)
Oliver K. Wnuk, Diana Staehly (on the right) in "Stromberg - Der Film" (2013/14)
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.
Vertrag CCC-Film
Jean Th. Lommen, Film- und Kinoschund, Der Kinematograph, 690/91, (1920), S. 35-41. Die Presse äußere sich vor allem negativ über den Film. Die Kritik der Kinogegner richte sich vor allem gegen Kri...
O.Th. Stein, Ausländerei im Film, Film und Lichtbild, 4, (1914), S. 50-52. Der Artikel beklagt die herausragende Stellung französischer Firmen, auch bei der Erstellung von Aufnahmen, die deutsche Na...
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...
Der ausländische Film in Deutschland, Der Kinematograph, 627, (1919), S. 7-8. Prognose, dass zwar der Anteil ausländischer Filme in Deutschland zwangsläufig wieder höher werde, aber nie wieder ein...