Three British, one French and three Belgian soldiers walk through an archway. French soldiers of I Corps, on foot and in lorries, pass in both directions down an undamaged street with Belgian troops. ...
Subtitle captions give the French gains in the offensive as the strongpoints Fruty, Bohery and Montparnasse, the fort at Malmaison, and the villages of d'Allemant, Vaudesson, Chavignon, Pinon and Parg...
The body of Marshal Foch lies in state at the Invalides. King Albert of Belgium and then a crowd of people file past to pay their last respects. For the procession the streets are lined with soldiers....
(Reel 1) It is 1914 and the outbreak of the war. Mr Smith, a prosperous businessman, is starting to lose staff who have volunteered for the Army and he refuses women replacements. He also prevents his...
(Reel 1) The troopship SS Barpeta brings a fresh contingent for the squadron into Karachi harbour. The men travel by train on to Ambala, where they get their first real view of India, including a hook...
Virulent denunciation of the American presence and influence in France, from military bases to the cinema, including Coca-Cola and children's newspapers, symbols of "gangsterism" and "racism". Faced w...
Various newsreel items. Among others, general Gouraud makes a speech during a memorial service of the First World War at the Tomb of the Unknown Soldier in Paris.
The film is an important document because it shows E.Thomopoulos ((1878-1976) live painting,while we hear him providing a lot of biographical details. We see him in his atelier, sporting a beret and b...
Michael Ransburg in "Wir drehen keinen Film" (2018)
Michael Herbig (on the left) in "Bullyparade - Der Film" (2016/17)
Szene aus "Film oder Macht"
Otto Waalkes in "Otto - Der Film" (1985)
Carsta Löck, Erich Ponto
German movie poster of "Der geflüsterte Film" (1992/93)
Oliver K. Wnuk, Diana Staehly (on the right) in "Stromberg - Der Film" (2013/14)
"Tabaluga - Der Film" (2018)
Vertrag CCC-Film
Jean Th. Lommen, Film- und Kinoschund, Der Kinematograph, 690/91, (1920), S. 35-41. Die Presse äußere sich vor allem negativ über den Film. Die Kritik der Kinogegner richte sich vor allem gegen Kri...
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
O.Th. Stein, Ausländerei im Film, Film und Lichtbild, 4, (1914), S. 50-52. Der Artikel beklagt die herausragende Stellung französischer Firmen, auch bei der Erstellung von Aufnahmen, die deutsche Na...
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...
Memo on filmmaterial (negative film) for "Liebe ohne Illusion".