A melodrama about a blacksmith on a war battlefield who wrongly imagines his seriously injured friend to be dead. After the war, he marries the wife of this man, but to everyone's surprise this man re...
Reportage about construction work in the port of Tanjung Priok near Batavia (Jakarta) in the Dutch-Indies (Indonesia).
Reportage about a fire-fighting demonstration Reportage from the Hook of Holland about a fire-fighting demonstration that does not exactly inspire confidence. The fire brigade demonstrates the use of ...
A short Western drama in which the villain Broncho Billy sits down for Christmas dinner with the sheriff.
"Let's face the facts - even Jesus was a street perfomer". Ordene kommer fra en ung violinist, som tjener penge til sine studier ved at spille på gaden. New York er fuld af optrædende. På gader og ...
Hvad stiller en amerikansk avis op, når internettet haler ind på det trykte medie og pludselig er landets primære nyhedskilde? Folkene bag "Page one" har fået en hidtil uset adgang til The New Yor...
In Lars von Trier's comedy the owner of an IT firm wants to sell out. The trouble is that when he established his firm he invented a non-existent company president to hide behind when unpopular steps ...
Kresten, newly wed, is on the threshold of a great career success in his father-in-law's company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in...
Thomas Riedelsheimer (in the middle), Andy Goldsworthy (on the right) on the set of "Rivers and Tides" (1998-2001)
Filmplakat für die Berliner Aufführungen von "Nürnberg und seine Lehre", welche druch die sowjetische Blockade bis Mai 1949 verzögert wurden
German movie poster of "Messi and Maud" (2017)
"Above and Below" (2012-14)
Szene aus "Losers and Winners"
"Rivers and Tides" (1998-2001)
Maggie Peren, Ken Duken (v.l.n.r.)
Volker Michalowski, Veronica Ferres, Gael García Bernal (in the front from left to right) in "Salt and Fire" (2015/16)
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...