(Reel 1) The film stresses that it shows normal RAF life and has not deliberately selected its scenes. It begins with a training camp for pilots in France. New pilots arrive and are brought from the s...
I. 'SIDECAR OUTING FOR WOUNDED SOLDIERS: Wounded soldiers from St Thomas's Hospital enjoy a run to Burford Bridge, where they are entertained by Alderman Duncan Watson'. The soldiers sit on the steps;...
I. 'LEWIS ANTI-AIRCRAFT GUN. Troops on the Macedonian front anxiously watch the effect of the machine gun fire on an enemy aeroplane.' Australian troops look up into the sky as a man fires Lewis - the...
I. 'THE PIGEON AS POSTMAN. Taken up on motor cycle to the trenches the birds except for casualties, never fail to reach "home" behind the lines where the telegraphist sends on the message.' Pigeons ar...
I. 'ON THE CAMBRAI FRONT. Rushing up ammunition, building new roads and consolidating our gains.' Artillery limber crosses muddy ground at the gallop, while another stands in mid-screen, apparently bo...
After various difficulties, an unemployed Italian finds a job at the “Aquila” refinery, which has been reconstructed thanks to the money and machinery sent by the United States through ECA. No dat...
La panoramica con cui si apre il film individua subito chi sono i veri protagonisti: i canali, l’acqua imbrigliata nei percorsi predisposti dall’uomo per strappare terra al mare. La macchina da pr...
The video shows the first five minutes of the film. Film synopsis: Three well-off young men return home in a luxurious cabriolet to find that all their furniture has been seized. Their lawyer informs ...
Szene aus "No Time To Die"
Alija Aljovic in "No One's Home" (2018)
Majê Molê Tanzgruppe
Szene mit Saffron Burrows
Szene mit David Thewlis (Mitte)
"No Land's Song" (2011-14)
Luisa Gross, Benedict Sieverding in "For No Eyes Only" (2012/13)
Szene aus "NoBody"s Perfect"
Daily production report No. 19, 12 July 1961 on the shooting of "Diesmal muß es Kaviar sein".
Daily production report No. 3, 21 November 1957 on the shooting of "...und abends in die Scala".
Daily production report No. 13, 19 October 1956 on the shooting of "Die Letzten werden die Ersten sein".
Daily production report No. 8, 27 November 1961 on the shooting of "Das Geheimnis der schwarzen Koffer".
Daily production report No. 13, 21 September 1957 on the shooting of "Italienreise - Liebe inbegriffen".
Daily production report No. 36, 26 August 1959 on the shooting of "Abschied von den Wolken" in Berlin, Spandau.
Daily production report No. 6, 05 September 1955 on the shooting of "Das verbotene Paradies" (working titel: Worüber man nicht spricht).
Daily production report No. 26, 30 May 1964 on the shooting of "Die Todesstrahlen des Dr. Mabuse".