The sculptor Benno Schotz at work in his studio in Glasgow, and demonstrating his technique. The film examines his working methods and the themes running through his work. Much of his work is as a m...
A football match between Elgin City and an unidentified team, and the Inspection and Presentation of Colours of the Boys' Brigade (Inverness Battalion).
Various scenes of the village of Colinton from the early 1940s through to the mid 1950s.
Family Christmas from the mid 1960s.
A history of the Forth and Clyde Canal.
Laurel and Hardy visit Edinburgh in 1932, arriving at Waverley Station, going to the North British Hotel and finally, visiting the Castle.
A comedic tale set in the garden of the Thoms' family house, on a summer's day. A group of boys playing in the garden get into trouble with a pernickety neighbour but later redeem themselves by spott...
Sponsored by Glasgow Corporation Education Committee, this educational film introduces the chief tools used by the carpenter.
Swetlana Alexjewitsch in "Near and Elsewhere" (2018)
Sangay Rinchen, Irja von Bernstorff (both in the front) in "The Farmer and I" (2013-16)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
Szene aus "Here and There"
Irmin Schmidt in "Can and Me" (2022)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
Filmplakat
Tannenbaum, Herbert. "Probleme des Kinodramas." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 60-63. Tannenbaum erörtert die Möglichkeiten des Films und probl...
O. Verf.. „Wo steht dieses Inserat?.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Angeführt wird ein Inserat aus dem „Kinematograph“, in dem Fillme...
Berthold Baer, Wie lange noch ?, Der Kinematograph, 415, (1914), S. 21-22 Klage über einseitig deutschenfeindliche Kriegsberichterstattung in amerikanischen Kinos. Forderung nach deutschen Aufnahmen,...
Mit der Kamera in der Schlachtfront.“ Der Kinematograph 397 (1914): 7. Werbeanzeige, die die Bedeutung der Filmaufnahmen gerade angesichts des drohenden Krieges hervorhebt.