An experimental sports film made partly during the Scandinavian Open Championships in Halmstad in 1970, partly during the Chinese players' exhibition tour in Denmark immediately after the SOC. First o...
After being hit by a car, a thirty-something American awaits an eye operation in a Berlin hospital. He calls the only other person he knows in Berlin, a female Icelandic ex-patriate whom he involuntar...
The film forms a contrast to the number of canting pictures or the silence existing round the period of the first six months after a child has been born. It takes up some of the problems that three di...
A crowd is standing on a deserted plain. One man is considered a threat to the others because of his arm, which is hitting him uncontrollably. The crowd has to deal with the problem. After discussing ...
After a life of camera-catching of stormy events around the world, Daniel seeks peace of mind in life as a wedding photographer, recording a small town's romantic highlights. He falls in love with viv...
A female artist is troubled that she cannot finish her painting of the wandering Jew Ahasuerus. So she sends her obedient husband to find a model. After a careful search the husband eventually finds s...
Eheschauspiel (deutsch) nach dem
After a long absence, famous pianist Zetterstrøm returns from New York to his native Copenhagen on the occasion of a gala concert. A perfectionist by nature, he has one major personal flaw; he has lo...
"Above and Below" (2012-14)
Thomas Riedelsheimer (in the middle), Andy Goldsworthy (on the right) on the set of "Rivers and Tides" (1998-2001)
Filmplakat für die Berliner Aufführungen von "Nürnberg und seine Lehre", welche druch die sowjetische Blockade bis Mai 1949 verzögert wurden
German movie poster of "Messi and Maud" (2017)
"Above and Below" (2012-14)
Szene aus "Losers and Winners"
"Rivers and Tides" (1998-2001)
Maggie Peren, Ken Duken (v.l.n.r.)
L. B., Berliner Filmneuheiten, Der Kinematograph, 667, (1919), S. 25-27. "Kaiser Wilhelms Glück und Ende" sei noch am Vortag der Uraufführung vom Innenministerium verboten worden. Der Film stelle ei...
[Lustbarkeitssteuer für Kinos], Der Kinematograph, 424, (1915), S. 35. Bericht über Beratungen zur Lustbarkeitssteuerverordnung der Stadt Essen. Grund sei die hohe Zunahme der Zahl der Kinobesitzer ...
Hansen, Fritz. "Photographien als Reklamebilder für Kinotheater" Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 40-42. Hinweise auf das bestehende Urheberrecht in ...
Daily production report No. 19, 03 September 1964 on the shooting of "Das 7. Opfer".
Rheinische Filmgesellschaft , Der letzte Untertan, Der Kinematograph, 645, (1919), S. 2. Werbung, die darauf hinweist, dass Filme wie der beworbene erst aufgrund der Aufhebung der Zensur möglich seie...
Costume excerpt for "The Indian Tomb", part of "Chandra" played by Walter Reyer.