1. THESSALONIKI AERIAL SHOTS Thessaloniki 1965. Montage of impressive aerial shots of Thessaloniki and older archive aerial photographs. The sequence concludes with the opening ceremony for the Thessa...
(Reel 1) The departure of the Archduke (later Emperor) Karl with General Conrad von Hötzendorf from Vienna to inspect Austrian troops in the Tyrolean region, close to the Italian Front. Outside a hun...
I. A posed group of crews and mechanics of 94th 'Hat in the Ring' Pursuit Squadron at 1st Pursuit Group airfield, Rembercourt, 18th October. Left to right 1st Lieutenant Edward V Rickenbacker, Major K...
The film starts with a cartoonist drawing figures which then animate themselves. The Kaiser sharpens a knife to carve up the world, the figures "1914" flying from the sparks. He and Franz Josef gloat ...
A rear view, from a sandbagged bunker, of a flame-projector nozzle angled upwards from a solid base. Pipes lead back to fuel cylinders in the bunker. These are operated by a civilian and an Army offic...
INTERTITLES OF THE FILM IN RUSSIAN 01:00:02:00 – Footage filmed by United States Army for American and Russian citizens 01:00:03:13 – American fleet 01:00:08:20 – Admiral V.Sims, commanding o...
Concerns the First World War. The images are authentic and made by the film service of the French army. Shots showing the proceedings of the war in various places in France and Belgium, such as Reims...
Promotional documentary about, and an introduction into, the working of the Bank of Brussels.
Das Neue Film-Programm
Bjarne Mädel (front left) in "Stromberg - Der Film" (2013/14)
Marc Hosemann, Rolf Becker, Christine Schorn, Laura Tonke (left to right) in "Zwei im falschen Film" (2017)
Henriette Morawe (third from the right) in "Wendy - Der Film" (2016/17)
Szene mit John Barron (Mitte)
"Der illegale Film" (2018)
Sissy Kelling, Frank Meyer-Brockmann
Szene mit Hans Söhnker, Hildegard Knef, Fritz Odemar, Willy Fritsch (v.l.n.r.)
Daily call sheet for 18 April 1959 for the shooting of "Und das am Montagmorgen".
Dialogue list (excerpt) for "La Paloma".
Daily call sheet for 17 October 1960 for the shooting of "Sabine und die 100 Männer".
Scene report No. 100 on "Die Todesstrahlen des Dr. Mabuse".
Daily production report No. 35, 14 August 1968 on the shooting of "Winnetou und Shatterhand im Tal der Toten".
Daily production report No. 41, 10 August 1961 on the shooting of "Es muss nicht immer Kaviar sein".
Daily production report No. 24, 19 April 1983 on the shooting of "Eine Liebe in Deutschland".
Dialogue list (excerpt) for "Lange Beine - lange Finger".