I. (Reel 1) The mission visited Brazil, Uruguay, Ecuador and Argentina. Accompanying Sir Maurice (with white beard) were Lieutenant-General Sir Charles Baxter, Mr Follett Holt, Mr T H Lyons, Mr Alan K...
I. The first main theme is civilian recruits volunteering for the ASC outside the Central Recruiting Office in Whitehall, London. They are marched to the railway station. Arriving at a suburban statio...
The archbishop and dignitaries leave the cathedral after the mass, and go into the cemetery where the archbishop pronounces a benediction over the graves. Everyone then leaves.A pan over the positions...
The general meets the Polish officers. He joins in a mass with the Legion, inspects the soldiers, talks to a few of them and presents decorations to members of the Legion who still survive from Bayonn...
A French motor supply convoy passes through the customs posts at the Franco-Italian frontier in the mountains, and drives on through the centre of Turin. A Chasseur battalion with its pack mules march...
The hospital is of prefabricated buildings, signposted as the "Hôpital Benevole I Bis". The film captions emphasise that all the employees are women, some of whom are seen walking in the snow outside...
I. (Reel 1) Anglo-American boxing tournament organised by the Grand Fleet. Panning medium shot across crowds of ratings assembled on quayside around raised boxing ring - two men are fighting. US flags...
The day is wet and blustery. Lord Weir walks with a senior RAF officer as an escort past the waiting crowd of civilians and stands at the saluting base on Saint Leonards' sea front in Sea Road, opposi...
Ute Sander, Otto Waalkes
Szene aus "Die Tigerentenbande - Der Film"
Membership card of the Film-Club Berlin, 1948
Ota Simanek (in Doppelrolle)
Jan Josef Liefers, Harriet Herbig-Matten (front) in "Das Pubertier - Der Film" (2016/17)
"Nordlicht - Der Nordsee Film" (2022)
"Nordlicht - Der Nordsee Film" (2022)
Szene aus "Die Tigerentenbande - Der Film"
PRIVATE CONTRACT, SIGNED ON 15 FEBRUARY 1957, OF SPECIFIED DURATION BETWEEN N. STAVRIDIS AND S. CHATZOPOULOS, ACTING ON BEHALF OF CHATZ FILM. IT CONTAINS THE EMPLOYMENT TERMS, STIPULATED PAYMENT, CONT...
POSTER WITH A CRITICAL ATTITUDE TOWARDS TELEVISION AS COMPARED TO THE CINEMA. THE GREEK CINEMA IS PICTURED AS CHRIST ON THE CROSS WITH A DROP-DOWN FILM. AN ARROW BEARING THE INSCRIPTION “TELEVISION�...
PRIVATE CONTRACT, SIGNED ON 15 FEBRUARY 1957, OF SPECIFIED DURATION BETWEEN N. STAVRIDIS AND S. CHATZOPOULOS, ACTING ON BEHALF OF CHATZ FILM. IT CONTAINS THE EMPLOYMENT TERMS, STIPULATED PAYMENT, CONT...
PRIVATE CONTRACT, SIGNED ON 15 FEBRUARY 1957, OF SPECIFIED DURATION BETWEEN N. STAVRIDIS AND S. CHATZOPOULOS, ACTING ON BEHALF OF CHATZ FILM. IT CONTAINS THE EMPLOYMENT TERMS, STIPULATED PAYMENT, CONT...
PRIVATE CONTRACT, SIGNED ON 15 FEBRUARY 1957, OF SPECIFIED DURATION BETWEEN N. STAVRIDIS AND S. CHATZOPOULOS, ACTING ON BEHALF OF CHATZ FILM. IT CONTAINS THE EMPLOYMENT TERMS, STIPULATED PAYMENT, CONT...
PRIVATE CONTRACT, SIGNED ON 15 FEBRUARY 1957, OF SPECIFIED DURATION BETWEEN N. STAVRIDIS AND S. CHATZOPOULOS, ACTING ON BEHALF OF CHATZ FILM. IT CONTAINS THE EMPLOYMENT TERMS, STIPULATED PAYMENT, CONT...
What the FOGMA? FOGMA ist eine Notiz an uns selbst. Durch die Veröffentlichung hoffen wir auf Zustimmung, Widerspruch und Nachahmung. Mit den Prämissen zu FOGMA überwinden wir das ganze "Wie man Fi...