The Gathering at Glenfinnan in the Highlands to mark the 200th anniversary of raising the standard of James VIII of Scotland and III of England.
Nach einer Umweltkatastrophe breitet sich der (fiktive) bolivianische Salzsee Diablo Blanco immer weiter aus und bedroht die Lebensräume von Menschen und Tieren. Im Auftrag der Vereinten Nationen sol...
An illustration of the various outdoor activities by youth groups at Glenmore Lodge in the Cairngorms.
Views of Benmore House and Estate, gifted by H.G. Younger as a forestry and botany demonstration area with some of the activities given to forestry trainees.
Study of seals and sea-lions at Calderpark Zoo, Glasgow. Concludes with section showing seals giving display in a circus.
Records a trip to South Africa made by Nat and Nettie McGavin. Includes places such as Port Elizabeth, Cape Town, Sea Point, Pretoria, the Vaal River, Southern Rhodesia (now Zimbabwe) and the Victori...
4996 - Aisne 1918 German corpse Stereoscopic glass plate from a private collection in Alsace-Lorraine.
32990 - Champagne - Italians in a camp Stereoscopic glass plate from a private collection in Alsace-Lorraine.
Stereoscopic glass plate from a private collection in Alsace-Lorraine.
31122 - Craonelle - Change of shift possibly in connection with the Second Battle of the Aisne, 1917. Stereoscopic glass plate from a private collection in Alsace-Lorraine.
3205 - Artois (1915) - Beametz-Rivière station. Stereoscopic glass plate from a private collection in Alsace-Lorraine.
31025 - Belgian - Ypres in ruins Stereoscopic glass plate from a private collection in Alsace-Lorraine.
Daily call sheet for 01 February 1966 for the shooting of "Lange Beine - lange Finger".
Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch â...
Dialogue list (excerpt) for "Die Privatsekretärin".
Trailer (draft) for "Liebe", handwritten.
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...