Et æsel spærrer vejen. FN-soldater og lokale mødes. Ingen forstår hinanden, og den simple forhindring forvandler sig hurtigt til en konflikt af babelske dimensioner. Den korteste vej mellem mennes...
A pickpocket acts as an inept golfer. Helpful souls become robbed. A female pickpocket turns up. The two pickpockets pick the golfers pockets. But they become disclosed. They try to escape and shoot a...
A short melodrama: the Chinese man Sang Lee takes pity on a white child (Jack). Twenty years later, Jack, now a prominent lawyer, defends his foster father in court from false accusations.
When the now-wealthy Jack sees his former lover by chance on the silver screen, he immediately goes looking for her.
A young girl works cleaning the kitchen floor of a house. When she has finished she tosses the soap and cloth into the sink, which is full of water. The cook tells her, gently, that the soap will wast...
A camel train approaches and enters the city. A panorama of the city taken from the sea. Tiffin (compressed camel or horse fodder) being unloaded from ships lying out to sea by surf boats. The men wor...
Tamara Samonte
Episode: Ein kurzer Moment
German movie poster of "Above and Below" (2012-14)
Szene mit David Thornton
Maggie Peren
Christobal Farais (second from left), Rifka Lodeizen in "Messi and Maud" (2017)
Irmin Schmidt in "Can and Me" (2022)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
Zensurwirrwarr !, Die Filmwelt, 12.Jg., 50, (1918), S. 12-20. Obwohl die Zensur durch Reichsgesetzgebung aufgehoben sei, würde die Zensur in Württemberg und Bayern weiterbestehen, in Berlin würden ...
Richard Ostwald Film GmbH, Die Prostitution, Lichtbildbühne, 50, (1918), S. 74-75. Werbung für einen Film über die Prostitution.
Memo for "Das verbotene Paradies".
Das Königliche Bild-und Filmamt und die Industrie, Der Kinematograph, 571, (1917). S. 22ff. Artikel über Verhandlungen des Bild-und Filmamtes mit Vertretern der Filmindustrie. Bufa zeige sich am Woh...
Passt das Kino in den Ernst der Zeit ?, Der Kinematograph, 468, (1915), S. 20-21. Die Kritik am Kino sei völlig unangebracht, da das Kino generell mit anderen Maßstäben gemessen werde als andere Un...