The arrival of the liner Niassa at the Guanabara bay, in Rio de Janeiro, in her maiden voyage of the new navigation route. Similar reception at the port of Santos in São Paulo.
Documentary film depicting the agriculture and industrial works in Guinea: peanuts cultivation, cattle, farming, cotton harvesting and weaving, rice planting, sugarcane plantation and distillation.
A benefaction party at Sintra's Casino in the Easter Sunday, sponsored by Sintra's Tourism Society.
Procession of Senhor dos Passos; São Martinho church; São Pedro de Sintra’s street market.
The President and members of the government visit Barreiro – views of the village and of CUF’s plants.
Views of Alpiarça, Ribatejo. Vintage and grape industry.
The audience exit from a show in Teatro República. Images of maestro Pedro Blanco.
The ceremonies of the 11th anniversary of the 28th May. Parade in Lisbon in the presence of the high-level officials.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film poster of the first public screening of films directed by Aurélio da Paz dos Reis.
Film frame
Silvino Santos filming the Teotonio fall for the film commissioned by J. G. de Araujo from Manaus.
Film frame
Diary notebook of the filming of whale hunt by Antunes da Mata.
Article defending the need of producing Portuguese colonial films.
Notes on the work of film director José Branco Gomes Barata.
Film review.
Notes on the film ‘Como se faz um jornal’, and the founding of a unit dedicated to producing colonial films.
Notes on the team work; set still of Fernandez Tomaz.
Notes on the film works of José César de Sá and Fernandez Tomaz.
Notes on how documentary films about Portugal can contribute to tourism reinforcement.